She stood before him, slender, but generously formed; her hair—once so thin and uncared-for—fell in heavy waves over her forehead. She had emerged from her stunted shell into a glorious maturity. “Pelle,” she said, with downcast eyes, gripping both his hands, “don’t go there to- night—wait till tomorrow! All the others are rejoicing over the victory to-night—and so should you! … Come with me, to my room, Pelle, you are so unhappy.” Her face showed him that she was fighting down her tears. She had never looked so much a child as now.
“Why do you hesitate? Come with me! Am I not pretty? And I have kept it all for you! I have loved you since the very first time I ever saw you, Pelle, and I began to grow, because I wanted to be beautiful for you. I owe nothing to any one but you, and if you don’t want me I don’t want to go on living!”
No, she owed nothing to any one, this child from nowhere, but was solely and entirely her own work. Lovely and untouched she came to him in her abandonment, as though she were sent by the good angel of poverty to quicken his heart. Beautiful and pure of heart she had grown up out of wretchedness as though out of happiness itself, and where in the world should he rest his head, that was wearied to death, but on the heart of her who to him was child and mother and beloved?
“Pelle, do you know, there was dancing to-day in the Federation building after the meeting on the Common, and we young girls had made a green garland, and I was to crown you with it when you came into the hall. Oh, we did cry when some one came up and called out to us that they had taken you! But now you have won the wreath after all, haven’t you? And you shall sleep sweetly and not think of to-morrow!”
And Pelle fell asleep with his head on her girlish bosom. And as she lay there gazing at him with the eyes of a mother, he dreamed that Denmark’s hundred thousand workers were engaged in building a splendid castle, and that he was the architect. And when the castle was finished he marched in at the head of the army of workers; singing they passed through the long corridors, to fill the shining halls. But the halls were not there —the castle had turned into a prison! And they went on and on, but could not find their way out again.
IV. DAYBREAK
I
Out in the middle of the open, fertile country, where the plough was busy turning up the soil round the numerous cheerful little houses, stood a gloomy building that on every side turned bare walls toward the smiling world. No panes of glass caught the ruddy glow of the morning and evening sun and threw back its quivering reflection; three rows of barred apertures drank in all the light of day with insatiable avidity. They were always gaping greedily, and seen against the background of blue spring sky, looked like holes leading into the everlasting darkness. In its heavy gloom the mass of masonry towered above the many smiling homes, but their peaceable inhabitants did not seem to feel oppressed. They ploughed their fields right up to the bare walls, and wherever the building was visible, eyes were turned toward it with an expression that told of the feeling of security that its strong walls gave.
Like a landmark the huge building towered above everything else. It might very well have been a temple raised to God’s glory by a grateful humanity, so imposing was it; but if so, it must have been in by-gone ages, for no dwellings—even for the Almighty—are built nowadays in so barbaric a style, as if the one object were to keep out light and air! The massive walls were saturated with the dank darkness within, and the centuries had weathered their surface and made on it luxuriant cultures of fungus and mould, and yet they still seemed as if they could stand for an eternity.
The building was no fortress, however, nor yet a temple whose dim recesses were the abode of the unknown God. If you went up to the great, heavy door, which was always closed you could read above the arch the one word Prison in large letters and below it a simple Latin verse that with no little pretentiousness proclaimed: