“You shall have a clay pipe if you’ll run and get me half a krone’s worth of chewing ’bacca.”
“What will it cost?” asks Pelle, with an air of simplicity. The skipper reaches for his rope’s end again, but Pelle is off already.
“Five öre worth of chewing tobacco, the long kind,” he cries, before he gets to the door even. “But it must be the very best, because it’s for an invalid.” He throws the money on the counter and puts on a cheeky expression.
Old Skipper Lau rises by the aid of his two sticks and hands Pelle the twist; his jaws are working like a mill, and all his limbs are twisted with gout. “Is it for some one lying-in?” he asks slyly.
Pelle breaks off the stem of the clay pipe, lest it should stick out of his pocket, boards the salvage steamer, and disappears forward. After a time he reappears from under the cabin hatchway, with a gigantic pair of sea-boots and a scrap of chewing tobacco. Behind the deck-house he bites a huge mouthful off the brown Cavendish, and begins to chew courageously, which makes him feel tremendously manly. But near the furnace where the ship’s timbers are bent he has to unload his stomach; it seems as though all his inward parts are doing their very utmost to see how matters would be with them hanging out of his mouth. He drags himself along, sick as a cat, with thumping temples; but somewhere or other inside him a little feeling of satisfaction informs him that one has to undergo the most dreadful consequences in order to perform any really heroic deed.
In most respects the harbor, with its stacks of timber and its vessels on the slips, is just as fascinating as it was on the day when Pelle lay on the shavings and guarded Father Lasse’s sack. The black man with the barking hounds still leans from the roof of the harbor warehouse, but the inexplicable thing is that one could ever have been frightened of him. But Pelle is in a hurry.
He runs a few yards, but he must of necessity stop when he comes to the old quay. There the “strong man,” the “Great Power,” is trimming some blocks of granite. He is tanned a coppery brown with wind and sun, and his thick black hair is full of splinters of granite; he wears only a shirt and canvas trousers, and the shirt is open on his powerful breast; but it lies close on his back, and reveals the play of his muscles. Every time he strikes a blow the air whistles— whew!—and the walls and timber-stacks echo the sound. People come hurrying by, stop short at a certain distance, and stand there looking on. A little group stands there all the time, newcomers taking the place of those that move on, like spectators in front of a cage of lions. It is as though they expect something to happen— something that will stagger everybody and give the bystanders a good fright.
Pelle goes right up to the “Great Power.” The “strong man” is the father of Jens, the second youngest apprentice. “Good-day,” he says boldly, and stands right in the giant’s shadow. But the stonecutter pushes him to one side without looking to see who it is, and continues to hew at the granite: whew! whew!
“It is quite a long time now since he has properly used his strength,” says an old townsman. “Is he quieting down, d’you think?”
“He must have quieted down for good,” says another. “The town ought to see that he keeps quiet.” And they move on, and Pelle must move on, too—anywhere, where no one can see him.