It was a slack season, and, just as it was at its very worst, shoemaker Bohn returned and opened a shop on the marketplace. He had spent a year on the mainland and had learned all sorts of modern humbug. There was only one pair of boots in his window, and those were his own Sunday boots. Every Monday they were put out and exhibited again, so that there should be something to look at.
If he himself was in the shop, talking to the people, his wife would sit in the living-room behind and hammer on a boot, so that it sounded as though there were men in the workshop.
But at Shrovetide Jeppe received some orders. Master Andres came home quite cheerfully one day from Bjerhansen’s cellar; there he had made the acquaintance of some of the actors of a troupe which had just arrived. “They are fellows, too!” he said, stroking his cheeks. “They travel continually from one place to another and give performances—they get to see the world!” He could not sit quiet.
The next morning they came rioting into the workshop, filling the place with their deafening gabble. “Soles and heels!” “Heels that won’t come off!” “A bit of heel-work and two on the snout!” So they went on, bringing great armfuls of boots from under their cloaks, or fishing them out of bottomless pockets, and throwing them in heaps on the window-bench, each with his droll remarks. Boots and shoes they called “understandings”; they turned and twisted every word, tossing it like a ball from mouth to mouth, until not a trace of sense was left in it.
The apprentices forgot everything, and could scarcely contain themselves for laughing, and the young master overflowed with wit— he was equal to the best of them. Now one saw that he really might have luck with the women: there was no boasting or lying about it. The young actress with the hair like the lightest flax could not keep her eyes off him, although she evidently had all the others at her petticoat-tails; she made signs to her companions that they should admire the master’s splendid big mustache. The master had forgotten his lame leg and thrown his stick away; he was on his knees, taking the actress’s measure for a pair of high boots with patent tops and concertina-like folds in the legs. She had a hole in the heel of her stocking, but she only laughed over it; one of the actors cried “Poached egg!” and then they laughed uproariously.
Old Jeppe came tumbling into the room, attracted by the merriment. The blonde lady called him “Grandfather,” and wanted to dance with him, and Jeppe forgot his dignity and laughed with the rest. “Yes, it’s to us they come when they want to have something good,” he said proudly. “And I learned my trade in Copenhagen, and I used to carry boots and shoes to more than one play-actor there. We had to work for the whole theater; Jungfer Patges, who became so famous later on, got her first dancing shoes from us.”
“Yes, those are the fellows!” said Master Andres, as at last they bustled out; “devil take me, but those are the chaps!” Jeppe could not in the least understand how they had found their way thither, and Master Andres did not explain that he had been to the tavern. “Perhaps Jungfer Patges sent them to me,” he said, gazing into the distance. “She must somehow have kept me in mind.”
Free tickets poured in on them; the young master was in the theater every evening. Pelle received a gallery ticket every time he went round with a pair of boots. He was to say nothing—but the price was plainly marked on the sole with chalk.
“Did you get the money?” the master would ask eagerly; he used to stand on the stairs all the time, waiting. No, Pelle was to present their very best wishes, and to say they would come round and settle up themselves.
“Well, well, people of that sort are safe enough,” said the master.