CHAPTER XVI.

A WORD ABOUT ORIGINALITY AND MOURNING.

When a purely inventive genius concocts a fabulous tale, it is clearly competent to him so to order matters, that characters shall not die off till his book is shortly coming to an end: and had your obedient servant now been engaged in the architecture of a duly conventional story, arranged in pattern style, with climax in the middle and a brace of ups and downs to play supporters, doubtless he might easy have kept alive both father and mother to witness the triumph of innocence, and have produced their deaths at the last as a kind of "sweet sorrow," or honied sting, wherewithal to point his moral. Such, however, was not my authorship's intention; and, seeing that a wilful pen must have its way, I have chosen to construct my own veracious tale, respecting the incidents of life and death, much as such events not unfrequently occur, that is, at an inconvenient season: for though such accessories to the fact of dying, as triumphant conversion, or a tranquil going out, may appear to be a little out of the common way, still the circumstance of death itself often in real life seems to come as out of time, as your wisdom thinks in the present book of Heart. People will die untowardly, and people will live provokingly, notwithstanding all that novelists have said and poets sung to the contrary: and if two characters out of our principal five have already left the mimic scene, it will now be my duty only to show, as nature and society do, how, of those three surviving chief dramatis personæ, two of them—to wit, our hero and heroine of Heart—gathered many friends about their happy homestead, did a world of good, and, in fine, furnish our volume with a suitable counterpoise to the mass of selfish sin, which (at its height in the only remaining character) it has been my fortune to record and to condemn as the opposite topic of heartlessness.

If writers will be bound by classic rules, and walk on certain roads because other folks have gone that way before them, needs must that ill-starred originality perish from this world's surface, and find refuge (if it can) in the gentle moon or Sirius. Therefore, let us boldly trespass from the trodden paths, let us rather shake off the shackles of custom than hug them as an ornament approved: and, notwithstanding both parental deaths, seemingly ill-timed for the happiness of innocence, let us acquiesce in the facts, as plain matters of history, not dubious thoughts of fiction; and let us gather to the end any good we can, either from the miserable solitude of a selfish Dillaway, or from the hearty social circle of our happy married pair.

Need I, sons and daughters, need I record at any length how Maria mourned for her father? If you now have parents worthy of your love, if you now have hearts to love them, I may safely leave that theme to your affections: "now" is for all things "the accepted time," now is the day for reconciliations: our life is a perpetual now. However unfilial you may have been, however stern or negligent they, if there is now the will to bless, and now the heart to love, all is well—well at the last, well now for evermore—thank Heaven for so glad a consummation. Oh, that my pen had power to make many fathers kind, many children trustful! Oh, that by some burning word I could thaw the cold, shame sarcasms, and arouse the apathetic! Oh that, invoking upon every hearth, whereto this book may come, the full free blaze of home affections, my labour of love be any thing but vain, when God shall have blessed what I am writing!

Yes, children, dear Maria did mourn for her father, but she mourned as those who hope; his life had been forgiven, and his death was as a saints's: as for her, rich rewarded daughter at the last, one word of warm acknowledgement, one look of true affection, one tear of deep contrition, would have been superabundant to clear away all the many clouds, the many storms of her past home-life: and as for our Maker, with his pure and spotless justice, faith in the sacrifice had passed all sin to him, and love of the Redeemer had proved that faith the true one. How should a daughter mourn for such a soul? With tears of joy; with sighs—of kindred hopefulness; with happiest resolve to live as he had died; with instant prayer that her last end be like his.

There is a plain tablet in St. Benet's church, just within the altar-rail, bearing—no inscription about Lord Mayoralty, Knighthood, or the Worshipful Company of Stationers—but full of facts more glorious than every honour under heaven; for the words run thus:

SORROWFUL, YET REJOICING,
A DAUGHTER'S LOVE HAS PLACED THIS TABLET
TO THE MEMORY OF
T H O M A S D I L L A W A Y;
A MAN WHO DIED IN THE FAITH OF CHRIST,
IN THE LOVE OF GOD, AND IN THE HOPE OF HEAVEN.

Noble epitaph! Let us so live, that the like of this may be truth on our tomb-stones. Seek it, rather than wealth, before honour, instead of pleasure; for, indeed, those words involve within their vast significancy riches unsearchable, glory indestructible, and pleasure for evermore! Hide them, as a string of precious pearls, within the casket of your hearts.