Doubtless, there are many more fads and fancies, many other sorts of perils and trials that might be spoken of as an author's or any other man's experiences: but I will pass on.
CHAPTER XI.
"SACRA POESIS" AND "GERALDINE."
With the exception of "Rough Rhymes," my first Continental Journal as aforesaid, and a song or two, and a few juvenile poems, my first appearance in print, the creator of a real bound volume (though of the smallest size) was as author of a booklet called "Sacra Poesis;" consisting of seventy-five little poems illustrative of engravings or drawings of sacred subjects, and intended to accompany a sort of pious album which I wished to give to my then future wife. Most of it was composed in my teens, though it found no technical "compositor" of a printing sort until I was twenty-two (in 1832), when Nisbet published the pretty little 24mo, with a picture by myself of Hope's Anchor on the title. The booklet is now very rare, and a hundred years hence may be a treasure to some bibliomaniac. Of its contents, speaking critically of what I wrote between fifty and sixty years ago, some, of the pieces have not been equalled by me since, and are still to be found among my Miscellaneous Poems: but, many are feeble and faulty. Some of the reviews before me received the new poetaster with kindly appreciation; some with sneers and due disparagement,—much as Byron's "Hours of Idleness" had been treated not very many years before: though another cause for hatred and contempt may have operated in my case, namely this: Ever since youth and now to my old age I have been exposed to the "odium theologicum," the strife always raging between Protestant and Papist, Low Church and High, Waldo and Dominic, Ulster and Connaught: hence to this hour the frequent rancour against me and my writings excited by sundry hostile partisans.
My next volume was "Geraldine and other Poems," published by Joseph Rickerby in 1838. The origin thereof was this,—as I now extract it from my earliest literary notebook:—
"In August 1838 I was at Dover, and from a library read for the first time Coleridge's Christabel;" it was the original edition, before the author's afterward improvements. "Being much taken with the poem, the thought struck me to continue it to a probable issue, especially as I wanted a leading subject for a new volume of miscellaneous verse. The notion was barren till I got to Heine Bay a fortnight after, and then I put pen to paper and finished the tale. It occupied me about eight days, an innocent fact which divers dull Zoili have been much offended withal, seeing that Coleridge had thought proper to bring out his two Parts at a sixteen years' interval; a matter doubtless attributable either to accident or indolence,—for to imagine that he was diligently polishing his verses the whole time (as some blockheads will have it) would indeed be a verification of the parturiunt montes theory. The fact is, these things are done at a heat, as every poet knows. Pegasus is a racer, not a cart-horse; Euterpe trips it like the hare, while dogged criticism is the tortoise, &c." The book had a fair success, both here and in America, and has been many times reprinted. Critiques of course were various, for and against; the shuttlecock of fame requires conflicting battledores: but, as I now again quote from that early notebook, "It is amusing to notice, and instructive also to any young author who may chance to see this, how thoroughly opposite many of the reviews are, some extolling what others vilify; it just tends to keep a sensible man of his own opinion, unmoved by such seemingly unreasonable praise or censure. When Coleridge first published Christabel (intrinsically a most melodious and sweet performance) it was positively hooted by the critics; see in particular the Edinburgh Review. Coleridge left behind him a very much improved and enlarged version of the poem, which I did not see till years after I had written the sequel to it: my Geraldine was composed for an addition to Christabel, as originally issued." Another note of mine, in reply to a critic of The Atlas, runs thus:—"Nobody who has not tried it can imagine the difficulties of intellectual imitation: it is to think with another's mind, to speak with another's tongue: I acknowledge freely that I never was satisfied with Geraldine as a mere continuation of a story, but as an independent poem, I will yet be the champion of my child, and think with The Eclectic that I have succeeded as well as possible: as honest Pickwick says, 'And let my enemies make the most of it.' At this time of day it is not worth my while by any modern replies to attempt to quench such long extinct volcanoes as 'The Conservative' and 'The Torch,' nor to reproduce sundry glorifications of the new poet and his verses from many other notices, long or short, duly pasted down for future generations in my Archive-book. As to critical verdicts in this case, black and white are not more contradictory: e.g., let Blackwood be contrasted with the Monthly Review, or the Church of England Quarterly with the Weekly True Sun, &c. &c."
It is a pity (at least the author of sold-out volumes may be forgiven for the sentiment) that most of my books are not to be bought: they are not in the market and are only purchasable at old-literature stores, such as Reeves' or Bickers': some day, I hope to find a publisher spirited enough to risk money in a ten-volumed "Edition of my Prose and Poetry complete," &c.; but in the past and present, the subscription system per Mudie and Smith, buying up whole editions at cost price whereby to satiate the reading public, starves at once both author and publisher, and makes impossible these expensive crown octavo editions, "which no gentleman's library ought to be without." Some of the beat smaller pieces in my "Geraldine and other Poems" will be found in Gall & Inglis's Miscellaneous Tupper before mentioned: but my two Oxford Prize Poems, The African Desert and The Suttees, are printed only in the Geraldine volume.
Anecdotes innumerable I could tell, if any cared to hear them, connected with each of my books, as friends or foes have commented upon me and mine in either hemisphere. In this place I cannot help recording one, as it led to fortunate results. In 1839 I was travelling outside the Oxford coach to Alma Mater, and a gentleman, arrayed as for an archery party with bow and quiver, climbed up at Windsor for a seat beside me. He seemed very joyous and excited, and broke out to me with this stanza,—