The Complete Prose Works of Martin Farquhar Tupper

by Martin Farquhar Tupper

Philosophers and fools, separately or together, as the case may be—for folly and philosophy not seldom form one Janus-head, and Minerva's bird seems sometimes not ill-fitted with the face of Momus—these and their thousand intermediates have tried in all ages to define that quaint enigma, Man: and I wot not that any pundit of literature hath better succeeded than the nameless, fameless man—or woman, was it?—or haply some innocent shrewd child—who whilom did enunciate that MAN IS A WRITING ANIMAL: true as arithmetic, clear as the sunbeam, rational as Euclid, a discerning, just, exclusive definition. That he is "capable of laughter," is well enough even for thy deathless fame, O Stagyrite! but equally (so Buffon testifies) are apes and monkeys, horses and hyenas; whether perforce of tickling or sympathy, or native notions of the humorous, we will not stop to contend. That he actually is "an animal whose best wisdom is laughter," hath but little reason in it, Democrite, seeing there are such obvious anomalies among men as suicidal jesters and cachinating idiots; nevertheless, my punster of Abdera, thy whimsical fancy, surviving the wreck of dynasties, and too light to sink in the billows of oblivion, is now become the popular thought, the fashionable dress of heretofore moping wisdom: crow, an thou wilt, jolly old chanticleer, but remember thee thou crowest on a dunghill; man is not a mere merry-andrew. Neither is he exclusively "a weeping animal," lugubrious Heraclite, no better definer than thy laughter-loving foe: that man weeps, or ought to weep, the world within him and the world without him indeed bear testimony: but is he the only mourner in this valley of grief, this travailing creation? No, no; they walk lengthily in black procession: yet is this present writing not the fit season for enlarging upon sorrows; we must not now mourn and be desolate as a poor bird grieving for its pilfered young—is Macduff's lamentable cry for his lost little ones, "All—what, all?" more piteous?—we must now indulge in despondent fears, like yonder hard-run stag, with terror in his eye, and true tears coursing down his melancholy face: we must not now mourn over cruelty and ingratitude, like that poor old worn-out horse, crying—positively crying, and looking imploringly for merciful rest into man's iron face; we must not scream like the wounded hare, nor beat against our cage like the wild bird prisoned from its freedom. Moreover, Heraclite, even in thine own day thou mightest well have heard of the classic wailings of Philomel for Atys, or of consumptive Canens, that shadow of a voice, for her metamorphosed Pie, and have known that very crocodiles have tears: pass on, thy desolate definition hath not served for man.

With flippant tongue a mercantile cosmopolite, stable in statistics and learned in the leger, here interposes an erudite suggestion: "Man is a calculating animal." Surely, so he is, unless he be a spendthrift; but he still shares his quality with others; for the squirrel hoards his nuts, the aunt lays in her barley-corns, the moon knoweth her seasons, and the sun his going down: moreover, Chinese slates, multiplying rulers, and, as their aggregated wisdom, Babbage's machine, will stoutly contest so mechanical a fancy. Savoury steams, and those too smelling strongly of truth, assault the nostrils, as a Vitellite—what a name of hungry omen for the imperial devourer!—plausibly insinuates man to be "a cooking animal." Who can gainsay it? and wherewithal, but with domesticated monkeys, does he share this happy attribute? It is true, the butcher-bird spits his prey on a thorn, the slow epicurean boa glazes his mashed antelope, the king of vultures quietly waits for a gamey taste and the rapid roasting of the tropics: but all this care, all this caloric, cannot be accounted culinary, and without a question, the kitchen is a sphere where the lord of creation reigns supreme: still, thou best of practical philosophers, caterer for daily dinners—man—MAN, I say, is not altogether a compact of edible commons, a Falstaff pudding-bag robbed of his seasoning wit, a mere congeries of food and pickles; moreover, honest Gingel of "fair" fame hath (or used to have, "in my warm youth, when George the Third was king,") automatons, [pray, observe, Sosii, I am not pedant or wiseacre enough to indite automata; we conquering Britons stole that word among many others from poor dead Greece, who couldn't want it; having made it ours in the singular, why be bashful about the plural! So also of memorandums, omnibuses, [you remember Farren's omniBI!] necropolises, gymnasiums, eukeirogeneions, and other unlegacied property of dear departed Rome and Greece. All this, as you see, is clearly parenthetical;] well, then, Gingel has automatons, that will serve you up all kinds of delicate viands, pleasant meats, and choice cates by clock-work, to say nothing of Jones' patent all-in-a-moment-any-thing-whatsoever cooking apparatus: no mine Apiciite, Heliogabalite, Sardanapalite, Seftonite, Udite, thou of extravagant ancestry and indifferent digestion; little, indeed, as you may credit me, man is not all stomach, nor altogether formed alone for feeding. Remember Æsop's parable, the belly and the members; and, above them all, do not overlook the head.

What think you then of "a featherless biped?" gravely suggests a rusty Plinyite. Absolute sir, and most obsolete Roman, doubtless you never had the luck to set eyes upon a turkey at Christmas; the poor bare bipes implumis, a forked creature, waiting to be forked supererogatively; ay, and risibilis to boot, if ever all concomitants of the hearty old festival were properly provocative of decent mirth. Thus then return we to our muttons, and time enough, quotha: literary pundit, (whose is the notable saying?) thy definition is bomb-proof, thy fancy unscaleable, thy thought too deep for undermining; that notion is at the head of the poll, a candidate approved of Truth's most open borough; for, in spite of secretary-birds with pens stuck clerk-like behind their ears (as useless an emblem of sinecure office as gold keys, silver, and coronation armour)—in spite of whole flights of geese, capable enough of saving capitols, but impotent to wield one of their own all-conquering quills—in spite, also, (keen-eyed categorists, be to my faults in ratiocination a little blind, for very cheerfulness,) in spite, I say, of copying presses, manifold inditers, and automaton artists, MAN IS A WRITING ANIMAL.

Wearily enough, you will think, have we disposed of this one definition: but recollect, and take me for a son of leisure, an amateur tourist of Parnassus, an idling gatherer of way-side flowers in the vale of Thessaly, a careless, unbusied, "contemplative man," recreating himself by gentle craft on the banks of much-poached Helicon; and if you, my casual friend, be neither like-minded in fancy nor like-fitted in leisure, courteously consider that we may not travel well together: at this station let us stop, freely forgiving each other for mutual misliking; to your books, to your business, to your fowling, to your feasting, to your mummery, to your nunnery—go: my track lays away from the highroad, in and out between yonder hills, among thickets, mossy rocks, green hollows, high fern, and the tangled hair of hiding river-gods; I meet not pedlers and bagsmen, but stumble upon fawns just dropped, and do not scare their doting mothers; I quench not my noonday thirst with fiery drams from a brazen tap, but, lying over the cold brook, drink to its musical Naiades; I walk no dusty roads of a working-day world, but flit upon the pleasant places of one made up of holidays.

A truce to this truancy, and method be my maxim: let us for a moment link our reasonings, and solder one stray rivet; man being a writing animal, there still remains the question, what is writing? Ah, there's the rub: a very comfortable definition would it be, if every pen-holder and pen-wiper could truly claim that kingship of the universe—that imagery of his Maker—that mystical, marvellous, immortal, intellectual, abstraction, manhood: but, what then is WRITING? Ye tons of invoices, groaning shelves of incalculable legers, parchment abhorrences of rare Charles Lamb, we think not now of you; dreary piles of unhealthy-looking law-books, hypochondriacal heaps of medical experiences, plodding folios of industrious polemics, slow elaborations of learned dullness, we spare your native dust; letters unnumbered, in all stages of cacography, both physical and metaphysical, alack! most of you must slip through the meshes of our definition yet unwove; poor deciduous leaves of the forest, that, at your best, serve only—it is yet a good purpose—to dress the common soil of human kindness, without attaining to the praise of wreaths and chaplets ever hanging in the Muses' temple; flowers withered on the stalk, whose blooming beauty no lover's hand has dropped upon the sacred waters of Siloa, like the Hindoo's garland on her Ganges; prolix, vain, ephemeral letters (especially enveloped penny-posters)—and sparing only some few redolent of truth, wisdom, and affection—your bulky majority of flippant trash, staid advices, dunnings, hoaxings, lyings, and slanderings, degrade you to a lower rank than that we take on us to designate as "writing."

And what, O what—"how poor is he that hath not patience!"—shall we predicate of the average viscera of circulating libraries?—abominable viscera!—isn't that the word, my young Hippocrates?—A parley—a parley! and the terms of truce are these: If this present pastime of mine (for pastime it is, so spurn not at its logic,) be mercifully looked on by you, lady novelists and male dittoes—yet truly there are giants in your ranks, as Scott, and Ward, and Hugo, and Le Sage, towering above ten thousand pigmies—if I be spared your censures well-deserved, interchangeably as toward your authorships will I exercise the charitable wisdom of silence: a white flag or a white feather is my best alternative in soothing or avoiding so terrible a host; and verily, to speak kinder of those whose wit, and genius, and graphic powers have so smoothed this old world's wrinkled face of care, many brilliant, many clever, many well-intended caterers to public amusement, throng your ill-ordered ranks: still, there are numbered to your shame as followers of the fool's-cap standard, the huge corrupting mass of depraved moralists, meagre trash-inditers, treacherous scandal-mongers, men about town who immortalize their shame, and the dull, pernicious school of feather-brained Romancists: and take this sentence for a true one, a verum-dictum. But enough, there are others, and those not few, even far less veniable; ye priers into family secrets—fawning, false guests at the great man's open house, eagerly jotting down with paricidal pen the unguarded conversation of the hospitable board—shame on your treason, on its wages, and its fame! ye countless gatherers and disposers of other men's stuff; chiels amang us takin' notes, an' faith, to prent 'em too, perpetually, without mitigation or remorse; ye men of paste and scissors, who so often falsely, feebly, faithlessly, and tastelessly are patching into a Harlequin whole the disjecta membra of some great hacked-up reputation; can such as ye are tell me what it is to write? Writing is the concreted fruit of thinking, the original expression of new combinations of idea, the fresh chemical product of educational compounds long simmering in the mind, the possession of a sixth sense, distinguishing intelligence, and proclaiming it to the four winds; writing is not labour, but ease; not care, but happiness; not the petty pilferings of poverty, but the large overflowings of mental affluence; it begs not on the highway, but gives great largess, like a king; it preys not on a neighbour's wealth, but enriches him; it may light, indeed, a lamp, at another's candle, but pays him back with brilliancy; it may borrow fire from the common stock, but uses it for genial warmth and noble hospitality.

Remember well, good critic, (for verily bad there be,) my purposes in this odd volume—this queer, unsophisticate, uncultivated book: to empty my mind, to clear my brain of cobwebs, to lift off my head a porters's load of fancy articles; and as in a bottle of bad champaign, the first glass, leaping out hurryskurry, at a railroad pace boiling a gallop, carries off with it bits of cork and morsels of rosin, even such is the first ebullition of my thoughts: take them for what they are worth, and blame no one but your discontented self that they are no better. Do you suppose, keen sir, that I am not quite self-conscious of their shallowness, utter contempt of subordination and selection, their empty reasoning and pellucid vanity?—There I have saved you the labour of a sentence, and present you with a killing verdict for myself. After a little, perhaps, your patience may find me otherwise; of clearer flow, but flatter flavour: these desultorinesses must first of all be immolated, for in their Ariel state they vex me, but I bind them down like slaving Calibans, by the magic of a pen; and glad shall I be to victimize my monsters, eager to dissipate my musquito-like tormentors; yea, I would "take up arms against a sea"—["Arms against a sea?" dearest Shakspeare, would that Theobald, or Johnson's stock-butt, "the Oxford Editor," had indeed interpolated that unconscionable image! It has been sapiently remarked by some hornet of criticism, that "Shakspeare was a clever man;" but cleverer far must that champion stand forth who wars with any prospect of success upon seas; perhaps Xerxes might have thought of it—or your Astley's brigand, who rushes sword in hand on an ocean of green baize. Who shall cure me of parentheses?]—well, "a sea of troubles, [thoughts trouble us more than things—I sin again; close it;] and by opposing, end them;" that is, by setting forth these troublous thoughts opposite, in stately black and white, I clip their wings, and make them peck among my poultry, and not swarm about my heaven. But soon must I be more continuous; turn over to my future title-pages, and spare your objurgation; a little more of this medley while the fit lasts, and afterward a staid course of better accustomed messes; a few further variations on this lawless theme of authorship, and then to try simpler tunes; briefly, and yet to be grandiloquent, as a last round of this giddy climax, after noisy clashing Chaos there shall roll out, "perfect, smooth, and round," green young worldlets, moving in quiet harmony, and moulded with systematic skill.

As an author, meanwhile, let man be most specifically characterized: a real author, voluntary in his motives, but involuntary as regards his acts authorial; full of matter, prolific of images and arguments, teeming, bursting, with something, much, too much, to say, and well witting how to say it: none of your poor devils compulsory from poverty—Plutus help them!—whose penury of pocket is (pardon me) too often equitably balanced by their emptiness of head; and far less one of the lady's-maid school, who will glory in describing a dish of cutlets at Calais, or an ill-trimmed bonnet, or the contents of an old maid's reticule, or of a young gentleman's portmanteau, or those rare occasions for sentimentality, moonlight, twilight, arbours, and cascades, in the moderate space of an hour by Shrewsbury clock: but a man who has it weightily upon his mind to explain himself and others, to insist, refute, enjoin: a man—frown not, fair helpmates; the controversial pen, as the controversial sword, be ours; we will leave your flower-beds and sweeter human nurseries, despotism over cooks and Penelobean penance upon carpet-work; nay, a trip to Margate prettily described, easy lessons and gentle hymns in behalf of those dear prattlers, and for the more cœrulean sort, "lyrics to the Lost one," or stanzas on a sickly geranium, miserably perishing in the mephitic atmosphere of routs—these we masculine tyrants, we Dionysii of literature, ill-naturedly have accounted your prerogatives of authorship. But who then are Sévigné and Somerville, Edgeworth and De Staël, Barbauld and Benger, and Aikin, and Jameson, Hemans, Landon, and a thousand more, not less learned, less accomplished, nor less useful? Forgive, great names, my half-repeated slander: riding with the self-conceited cortège of male critics, my boasted loyalty was well-nigh guilty of lèze majesté: but I repudiate the thought; my verdict shall have no reproach in it, as my championship no fear: how much has man to learn from woman! teach us still to look on humanity in love, on nature in thankfulness, on death without fear, on heaven without presumption; fairest, forgive those foolish and ungallant calumnies of my ruder sex, who boast themselves your teachers—making yet this wise use of the slander: never be so bold in authorship, as to hazard the loss of your sweet, retiring, modest, amiable, natural dependence: never stand out as champions on the arena of strife, but if you will, strew it with posies for the king of the tournament; it ill becomes you to be wrestlers, though a Lycurgus allowed it, and Atalanta, another Eve, was tripped up by an apple in the foot-race. So digressing, return we to our author; to wit, a man, homo—a human, as they say in the west—with news of actual value to communicate, and powers of pen competent to do so graphically, honestly, kindly, boldly.

Much as we may emulate Homer's wordy braggadocios in boasting ourselves far better than our fathers, still, great was the wisdom of our ancestors: and that time-tried wisdom has given us three things that make a man; he must build a house, have a child, write a book: and of this triad of needfuls, who perceives not the superior and innate majesty of the last requisite?—"Build a house?" I humbly conceive, and steal my notion from the same ancestral source, that, in nine cases out of ten, fools build houses for wise men to live in; besides, if houses be made a test of supreme manhood, your modern wholesale runner-up of lath and plaster tenements, warranted to stand seven years—provided quadrilles be excluded, and no larger flock of guests than six be permitted to settle on one spot—such a jackal for surgeons, such a reprobate provider for accident-wards as this, would be among our heroes, a prize-man, the flower of the species. "Children" too?—very happy, beautiful, heart-gladdening creations—God bless them all, and scatter those who love them not!—but still for a proof of more than average humanity, somewhat common, somewhat overwhelming: rabbits beat us here, with all our fecundity, so offensive to Martineau and Malthus. But as to "books"—common enough, too, smirks gentle reader: pardon, courteous sir, most rare—at least in my sense; I speak not of flat current shillings, but the bold medallions of ancient Syracuse; I heed not the dull thousands of minted gold and silver, but the choice coin-sculptures of Larissa and Tarentum. There do indeed flow hourly, from an ever-welling press, rivers of words; there are indeed shoaling us up on all sides a throng of well-bound volumes—novels, histories, poems, plays, memoirs, and so forth—to all appearance, books: but if by "books" be intended originality of matter, independent arguments, water turned wine, by the miracle of right-thinking, and not a mere re-decantering of dregs from other vessels—these many masqueraded forms, these multiplied images of little-varied likenesses, these Protean herds, will not stay to be counted, nor abide judgment, nor brook scrutiny, but will merge and melt by thousands into the one, or the two, real, original, sterling books. We live in a monopolylogue of authorship: an idea goes forth to the world's market-place well dressed from the wardrobe of some master-mind; it greets the public with a captivating air, and straightway becomes the rage; it seems epidemical; it comes out simultaneously as a piece of political economy, a cookery-book, a tragedy, a farce, a novel, a religious experience, an abstract ism, or a concrete ology; till the poor worn-out, dissipated shadow of a thought looks so feeble, thin, fashionably affected and fashionably infected, that its honest, bluff old father, for very shame, disowns it. Thus has it come to pass, that one or two minds, in this golden age of scribbling, have, to speak radically, been the true originators of a million volumes, which haply shall have sprung from the seed of some singular book, or of books counted in the dual.

Indignant authors, be not merciless on my candour: I confess too much whereof I hold you guilty; I am one of yourselves, and I question not that few of you can beat me in a certain sort of—I will say, unintended, plagiarism; you are thieves—patience—I thieve from thieves; Diogenes cannot see me any more than you; you copy phrases, I am perpetually and unconsciously filching thoughts; my entomological netted-scissors, wherewith I catch those small fowl on the wing, are always within reach; you will never find me without well-tenanted pill-boxes in my pocket, and perhaps a buzzing captive or two stuck in spinning thraldom on my castor; you are petty larceners, I profess the like métier of intellectual abstractor; you pilfer among a crowd of volumes, manuscripts, rare editions, conflicting commentators, and your success depends upon rëusage of the old materials; whereas I sit alone and bookless in my dining-parlour, thinking over bygone fancies, rëconsidering exploded notions, appropriating all I find of lumber in the warehouse of my memory, and, if need be, without scruple, quietly digesting, as my special provender, the thoughts of others, originated ages ago.