P.S. If thought fit, after the fashion of Parisian charcoal-burners in ill-ventilated bed-rooms, Charlotte may have recorded her experiences in the vault, by writing with a rusty nail on the coffin-plates.
Now, the gist of this Victor-Hugo tale of terror is its general truth: a true end of a truly-named family, in its own neighbourhood, and long since extinct: the house, now rëbuilt and rëstyled—the vault—the picture of that poor unfortunate, (how unsearchable in real life often are the ways of Providence! how frequently the innocent suffer for the guilty!)—the gloomy well—and something extant of the story—remains still, and are known to some at Stratford. To do the thing graphically, one should go there, and gain materials on the spot: and nothing could be easier than to mix with them fifteenth-and-sixteenth-century costumes, modes of thought, and historical allusions; accessories of the humorous, if the age demands it, might relieve the pathetic; Charlotte's own innocence and piety might be made to soften her hard fate, with the assurance of a better life; Saville might become a wisely-resigned recluse; and while the sins of the fathers are not gently, though justly, visited on the children, the villain of the story meets his full reward.
Behold, then, hungry novel-monger, what grist is here for the mill! Behold, Sosii, what capabilities of orders from every library in the kingdom!—As doomed ones, and denounced ones, and undying ones, and unseen ones, seem to be such taking titles, what think you of the Buried-alive-one!—is it not new, thrilling, terrible? Who is he that would pander to the popular taste for details of dreadful, cruel, criminal, and useless abominations? "Should such a one as I?" In emptying my head of the notion, I have ministered too much already: but the sample of henbane is poured out, an offering to the infernal manes, and poisons no longer the current of my thoughts. Thy ghost, poor beautiful Charlotte! shall not be disturbed by me; thy misfortunes sleep with thee. Nevertheless, this tale about a more amiable Charlotte than Werter's, so naturally also falling into the orthodox three-volume measure, is capable of being fabricated into something of deep, romantic, tragical interest; such a character, in such circumstances, in such an age, and such a place: I commend it to those of the Anglo-Gallic school, who love the domestically horrible, and delight in unsunned sorrows: but, I throw not any one topic away as a waif, for the casual passer-by to pick up on the highway. Shadows, indeed, are flung upon the waters, but Phulax still holds the substance with tenacious teeth.
Stop awhile, my dog and shadow, and generously drop the world a morsel; be not quite so bold when no one thinks of robbing you, and spare your gasconade: the expediency of a sample has been cleverly suggested, and WE ego et canis meus, royal in munificence, do graciously accede. Will this serve the purpose, my ever-pensive public? At any rate, with some aid of intellect in readers, it is happily an extract which explains itself—the death of poor infatuated Margaret: we will suppose preliminaries, and hazard the abrupt.
"That bitter speech shot home; it had sped like an arrow to her brain: it had flown to her heart like the breath of pestilence: for Rowland to be rough, uncourteous, unkind, might cause indeed many a pang; but such conduct had long become a habit, and woman's charitable soul excused moroseness in him, whom she loved more than life itself, more than honour. But now, when the dread laugh of a seemingly more righteous world was daily, hourly, to be feared against her—when the cold finger of scorn was preparing to be pointed at her fading beauty, and her altered form—now, when indulgence is most due, and cruelty has a sting more scorpion than ever—to be taunted with that once-kind tongue with having rightfully inherited a curse—to be told, in a sort of fiendish triumph, that some ancient family grudge, forsooth, against her father's fame, certainly as much as the selfish motives of a libertine professed, had warped the will of Rowland to her ruin—to know, to hear, yea, from his own lips, that the oft-repented crime of her warm and credulous youth—of her too free, unsuspicious affection—had calmly been contrived by the heart she clung to for her first, her only love—here was misery, here was madness!
"Rowland, at the approach of footsteps, had hastily slunk away behind the accustomed panel, and alone in the chamber was left poor Margaret: his last sneering speech, the mockery of his sarcastic pity, were still haunting her ear with echoes full of wretchedness; and she had uttered one faint cry, and sunk swooning on a couch, when her sister entered.
"Charlotte, gentle Charlotte, had nothing of the hardness of a heroine; her mind, as her most fair body, was delicate, nervous, spiritualized; but the instinct of imperious duty ever gave her strength in the day of trial. Long with an elder sister's eye had she watched and feared for Margaret; she had palliated natural levity by evident warmth of disposition, and excused follies of the judgment by kindness of the heart. Charlotte was no child; in any other case, she had been keener of perception; but in that of a young, generous, and most loving sister, suspicion had been felt as a wickedness, and had long been lulled asleep: now, however, it awaked in all its terrors; and, as Margaret lay fainting, the sorrowful condition of one soon to be a mother who never was a wife, was only too apparent. She touched her, sprinkled water on her pale face, and, as the fixed eyes opened suddenly, Charlotte started at their strange wild glare: they glittered with a freezing brilliancy, and stared around with the vacuity of an image. Could Margaret be mad? She bit her tender lips with sullen rage, and a gnashing desperation; her cheek was cold, white, and clammy as the cheek of a corpse; her hair, still woven with the strings of pearl she often wore, hung down loose and dishevelled, except that on her flushing brow the crisp curls stood on end, as a nest of snakes. And now a sudden thought seemed to strike the brain; her eyes were set in a steady horror; slowly, with dread determination, as if inspired by some fearful being, other than herself, uprose Margaret; and, while her frightened sister, shuddering, fell back, she glided, still gazing on vacancy, to the door: so, like a ghost through the dark corridor, down those old familiar stairs, and away through the Armory-hall; Charlotte now more calmly following, for her father's library, where his use was to study late, opened out of it, and surely the conscience-stricken Margaret was going in her penitence to him. But, see! she has silently passed by; her hand is on the lock of the hall-door; with one last look of despairing recklessness behind her, as taking an eternal leave of that awe-struck sister, the door turns upon its hinge, and she, still with slow solemnity, goes out. Whither, oh God!—whither? The night is black as pitch, rainy, tempestuous; the old knight's guests at Clopton Hall have gladly and right wisely preferred even such questionable accommodation as the blue chamber, the dreary white apartment looking on the moat—nay, the haunted room of the parricide himself—to encountering the dangers and darkness of a night-return so desperate; but Margaret, in her gayest evening attire, near upon so foul a midnight in November, stalks like a spectre down the splashy steps. Charlotte follows, calls, runs to her—but cannot rescue from some settled purpose, horribly suggested, that gentle fearful creature, now so changed. Suddenly in the dark she has lost her. Which way did the maniac turn?—whither in that desolate gloom shall Charlotte fly to find her? Guided by the taper still twinkling in her father's study, she rushes back in terror to the hall; and then—Help, help!—torches, torches! The household is roused, dull lanterns glance among the shrubberies; pine-lights, ill-shielded from wind and rain by cap or cloak, are seen dotting the park in every direction, and dance about through the darkness, like sportive wild-fires: Sir Clement in moody calmness looks prepared for any thing the worst, like a man who anticipates evil long-deserved; the broken-hearted mother is on her knees at the cold door-steps, striving to pierce the gloom with her eyes, and ejaculating distracted prayers: and so the live-long night—that night of doubt, and dread, and dreariness—through bitter hours of confusion and dismay, they sought poor Margaret—and found her not!
"But, with morning's light came the awful certainty. At the end of a terraced walk, mournfully shaded by high-cropped yews, stood an arbour, and behind it, half-hidden among rank weeds, was an old half-forgotten fountain; there, on many a sultry summer night, had Rowland met with Margaret, and there had she resolved in terrible remorse to perish. With the seeming fore-thought of reason, and the resolution of a phrensied fortitude, she had bound a quantity of matted weeds about her face, and twisted her hands in her fettering garments, that the shallow pool might not in cruel kindness fail to drown her; she lay scarcely half immersed in those waters of death; a few lazy tench floating sluggishly about, appeared to be curiously inspecting their ghastly, uninvited guest; and the fragments of an enamelled miniature, with some torn letters in the hand-writing of Rowland Beauvoir, were found scattered on the overflowing margin of the pool."