If right and reason both combine in one,
Why, in God's name, should justice not be done?
If law be not a lie, and judgments jokes,
Why not be just, and cut adrift Lord Hoax?
After a vast deal more in this vein of literature—for you perceive my present purpose is dissection in part of this ancient rhyme—we arrive at a magnanimous—
No! Right shall have his own, put off no longer
By rule of Former, or by whim of Stronger;
Nor, because Jack goes tumbling down the hill,
Shall precedent create a tumbling Jill.
Public opinion soon shall change the scene,
And wash the Law's Augæan stable clean;
Sweep out the Temple, drive the sellers thence,
And lead, in novel triumph, Common Sense.
Verily, this is of the dullest, but it is brief: endure it, and pray you consider the deadliness of the topic, and the barbarous cruelty wherewith courtesy has clipped the wings of my poor spite. Let us turn to other title-pages; assuring all the world that no specific mountebank has been here intended, and that nothing more is meant than a nerveless blow against legal cant, quainter than Quarles's, and against that well-known species of Equity, which must have been so titled from like antiquated reasons with those that induced Numa and his company to call a dark grove, lucus.
How many foes, in this utilitarian era, has that very unwarrantable vice, called Poetry! All who despise love and love-making, all who prefer billiards to meditation, all who value hard cash above mental riches, feel privileged to hate it; while really, typographers, the illegible diamond print in which you generally set it up, whether in book, or newspaper, or handbill, or magazine, induces many an indifferent peruser to skip the poem for the sake of his eye-sight. I presume that the monosyllable, rhyme, comprehends pretty nearly all that the world at large intends by poetry; and, in the same manner as certain critics have sneered at Livy—no, it was Tacitus—for commencing his work with a bad hexameter, so many a reader will now-a-days condemn a whole book, because it is somewhere found guilty of harbouring a distich. But poetry, friend World, means far other than rhyme; its etymology would yield "creation," or "fabrication," of sense as well as sound, and of melody for the eye as well as melody for the ear. So did [epoiese] Milton; and so did not—— Well, I myself, if you will. Yet, in fact, there are fifty other kinds of poetries, beside the poetry of words: as the poetry of life—affection, honour, and hope, and generosity; the poetry of beauty—never mind what features decorate the Dulcinea, for this species of poetry is felt and seen almost only in first love; the poetry of motion, as first-rates majestically sailing, furiously scudding waves, bending corn-fields, and, briefly, all things moveable but railway-trains; the poetry of rest, as pyramids, a tropical calm, an arctic winter, and generally all things quiescent but a slumbering alderman; the poetry of music, heard oftener in a country milkmaid's evening song, than in many a concert-room; the poetry of elegance, more natural to weeping willows, unbroken colts, flames, swans, ivy-clad arches, greyhounds, yea, to young donkeys, than to those pirouette-ing and very active danseuses of the opera; the poetry of nature, as mountains, waterfalls, storms, summer evenings, and all manner of landscapes, except Holland and Siberia; the poetry of art, acqueducts, minarets, Raphael's colouring, and Poussin's intricate designs; the poetry of ugliness, well seen in monkeys and Skye terriers; and the poetry of awkwardness, whereof the brightest example is Mr. trans-Atlantic Rice. And, verily, many other poetries there be, as of impudence (for which consult the experience of swindlers); of prose, (for which see Addison); of energy, of sleep, of battle and of peace: for it is an easy-seeming artfulness, the most fascinating manner of doing as of saying, complication simplified, and every thing effected to its bravest advantage. Poetry wants a champion in these days, who will save her from her friends: O, namby-pamby "lovers of the Nine!" your innumerous dull lyrics—ay, and mine—your unnatural heroics—I too have sinned thus—your up-hill sonnets—that labour of folly have I known as well—in brief, your misnamed poetry, hath done grievous damage to the cause you toil for. Yet I would avow thus much, for I believe it: as an average, we have beaten our ancestors; seldom can we take up a paper or a periodical which does not show us verses worthy of great names; the age is full of highly respectable, if not superlative poetry; and truly may we consider that the very abundance of good versification has lowered the price of poets, and therefore, in this marketing world, has robbed them of proper estimation. Doubtless, there have been mighty men of song higher in rank, as earlier in time, than any now who dare to try a chirrup: but there are also many of our anonymous minstrels, with whom the greater number of the so-called old English poets could not with advantage to the ancients justly be compared. Look at 'Johnson's Lives.' Who can read the book, and the specimens it glorifies, without rejoicing in his prose, and thoroughly despising their poetry?—With a few brilliant exceptions, of course, (for ill-used Milton, Pope—and shall we in the same sentence put Dryden?—are there,) a more wretched set of halfpenny-a-liners never stormed mob-trodden Parnassus. The poetry of Queen Anne's time and thereabouts, I judge to have been at the lowest bathos of badness; all satyrs, and swains, fulsome flattery of titles, and foolish adoration of painted shepherdesses: poor weak hobbling lines, eked out by 'eds and expletives, often terminated by false rhymes, and made lamer by triplets and dreary Alexandrines; ill-selected subjects, laboured, indelicate, or impossible similes, passions frigid as Diana, wit's weapons dull as lead. Yet these (many exceptions doubtless there were, and many redeeming morceaux even in the worst, charitable reader, but as of the rule we speak not falsely), these are the poets of England, the men our great grandfathers delighted to honour, the feared, the praised, the pensioned, and those whom we their children still denominate—the poets! Praise, praise your stars, ye lucky imps of Fame! who could tolerate you now-a-days?—You lived in golden times, when Dorset, Harley, Bolingbroke, Halifax, and Company, gave away places of a thousand a-year, as but justly due to any man who could pen a roaring song, fabricate a fulsome sonnet, or bewail in meagre elegiacs the still-resisting virtue of some persecuted Stella! Happy fellows, easy conquisitors of wealth and fame, autocrats of coffee-houses, feted and favoured by town-bred dames! In those good old times for the fashionable Nine, an epic was sure to lead to a Ministry-of-State, and even an epigram produced its pension: to be a poet, or reputed so, was to be—eligible for all things; and the fortunate possessor of a rhyming dictionary might have governed Europe with his metrical protocols. But these halcyon times are of the past—and so, verily, are their heroes. Farewell, a long farewell, children of oblivion! farewell, Spratt, Smith, Duke, Hughes, King, Pomfret, Phillips, and Blackmore: ye who, in that day of very small things, just rose, as your Leviathan biographer so often testifies, "to a degree of merit above mediocrity:" ye who—but (Candor and good Charity, I thank you for the hint,) limited indeed is my knowledge of your writings, ye long-departed poets, whom I thus am base enough to pilfer of your bays; and therefore, if any man among you penned aught of equal praise with "My Mind to me a Kingdom is," or "No Glory I covet, no Riches I want," humbly do I cry that good man's pardon. Believe that I have only seen the château of your fame, but never the rock on which it rested; and therefore candidly consider, if I might not with reason have accounted it a castle in the air?
Now, after this wholesale species of poetical massacre, this rifling of old Etruscan tombs of their honourable spoil, a very pleasant ninny would that poetaster stand forth, whose inanely conceited daring exhibited specimens from his own mint, as medals in fit contrast with those slandered "things of base alloy." No, as with politics, so with poetry; in public I abjure and do renounce the minx: and although privately my author's mind is so silly as to doat right lovingly on such an ancient mistress, and has wasted much time and paper in her praise or service, still that mind is sufficiently self-possessed in worldly prudence, as to set seemingly little store on the worth of an acquaintance so little in the fashion. Therefore I disown and disclaim
A VOLUME OF POETICS,
ill-fated offspring of a foolish father; miscellaneous collection of occasionals and fugitives, longer or shorter, as the army of Bombastes. Poetical as in verity I must confess to have been, (using the word "poetical" as most men use it, and the words "have been" in the sense of Troy's existence,) there must have lingered in me, even at that hallucinating period, some little remnant of prosaic wisdom; for it is now long since that I consigned to the most voracious of elements all the more love-sick rhythmicals, and all the more hateful satiricals. Now, I will maintain that act of incremation to be one of true heroism, nearly equal to the judgment of Brutus; nor less is it matter of righteous boasting to have immolated (warned by Charles Lamb's ghost) divers albuminous preparations, which to have to do, were, Clio knows, little pleasure, and to have done, we all know, as little praise. Such light follies are like skeins of cotton, or adjectives, or babies, unfit to stand alone; haply, well enough, times and things considered, but totally unworthy to be dragged out of their contexts into the imperishability of print; it is to take flies out of treacle, and embalm them in clear amber. As to sonnets, what real author's mind will not, if honest, confess to the almost daily recurrence of that symptom of his disease? With mine, at least, they have increased, and are increasing; yea, more—as a certain statesman suggested of Ireland's multitudinous pisantry, or as tavern patriots declare of the power of the crown—they ought to be diminished. Nevertheless, resolutely do I hope that some of these at least are little worthy of the days of good Queen Anne.
In matters of the sacred muse, lengthily as others have I trespassed heretofore; the most protracted fytte, however, made a respectable inroad on a new metrical version of the 'Psalms,' attempting at any rate closer accuracy from the Hebrew than Brady's, and juster rhymes than Sternhold's: but this has since been better done by another bard. On the whole budget of exploded poeticals is now legibly inscribed "to be kept till called for," a period rather more indefinite than the promise of a spendthrift's payment. Let them rest in peace, those unfortunate poetics!