"If this writer could have seen the youthful appearance of Mrs. Roe, she would have no hesitation in denying the professor's alleged relationship to the novelist. Her husband is not yet forty.

"I wish Scribners would publish a portrait of Mrs. Roe. It would certainly add to the popularity of the magazine. Such a lady must be a wonderful help to her husband. I think, as a general thing, the world gives too little credit to the power behind the throne.

"Mrs. Roe deserves at least half the credit of 'Barriers Burned Away,' which is certainly E. P. Roe's most dramatic work, and had, no doubt, a great deal to do with many of his other volumes. This particular work describes the thrilling scenes of the Chicago fire with a vividness and power that is rarely surpassed. When the whole world was thrilled by the dreadful tidings of a city's destruction, Mr. Roe said to his wife that if he could collect some of the actual occurrences that must be transpiring there he thought he could write a book about it. Mrs. Roe at once decided for him. Her advice was that so tersely put by Mr. Greeley. Although nearly a thousand miles intervened, Mr. Roe was in Chicago before the fire had ceased, and the incidents so graphically depicted in 'Barriers Burned Away' were the result of actual observation.

"Most of Mr. Roe's characters are taken from real life, and all of his works are written for a purpose, as can readily be seen in 'What Can She Do?' for example. His next book, which will be published in a few days, will furnish another instance of writing for a purpose. Its title is, 'Without a Home;' the subject it treats is the tenement-house problem, which is at present agitating New York and all large cities. In this work the scenes and personages will be nearly all from real life. If the book were not in press the tenement-house fires in New York on Friday, causing the death of seven persons, would furnish a tragic climax to his story. What could be more terribly pathetic than the frantic mother penned in by the smoke and flame, dragging herself to the bedside of her children to die with them? In choosing the evils of the tenement-house system as a subject, Mr. Roe strikes at one of the worst features of city life.

"It was to finish the last pages of this book that Mr. Roe was now 'Without a Home' himself, and as the printers were clamoring for copy, he had betaken himself to a room in a New York hotel to write without interruption. Mr. Roe is too good-natured to deny himself to visitors, and they make great inroads on his time.

"'If he hears the voice of a friend,' said Mrs. Roe, 'he cannot remain at his desk.'

"So when there is work that must be done, Mr. Roe banishes himself from home and friends and flies to that loneliness which only a great and crowded city can supply.

"Mrs. Roe's favorite book is 'The Opening of a Chestnut Burr,' and this must be a favorite work with many, for it has reached its thirtieth thousand, not to mention the numerous reprints in England and Canada. The realistic incident in this work, which supplies the place the Chicago fire does in the other, is the sinking in mid ocean of the French steamer Ville d'Havre.

"I think, although it is only mere conjecture on my part, that Mrs. Roe herself is the heroine of this book. For that reason I shall not attempt to say anything of the lady, as the reader can turn to the book and satisfy all curiosity there. But if I should find, at some future time, that I am mistaken in my surmise, I shall make that my excuse for the pleasant task of writing again of Mrs. Roe. The old homestead is described in the 'Opening of a Chestnut Burr,' and naturally this would endear the book to those who lived there.

"The library in which Mr. Roe does his writing, when at home, is a sunny room filled from floor to ceiling with books. A large flat desk, covered with papers, stands in the centre of the room, and this is the novelist's work-bench. I shall conclude with a few words regarding Mr. Roe's method of working. Mr. Roe himself has supplied this in a letter written nearly a year ago, to an admirer, and part of which I am allowed to copy. This extract forms a portion of Mr. Roe's work never before published, and the writer himself had no idea it would ever appear in print. The letter bears date November 25, 1878. He says:—