"Mr. Roe is one of those authors 'who make money,' whose writing is not thrown on the barren soil of neglect. His income from books is much ampler, I believe, than the income of any other man of letters, obtained from the same source, in America. Because he is so popular he does not necessarily possess the elements of greatness. True greatness seldom 'makes money.' Even brilliant originality in literature has a comparatively small audience. This is the line of logic, since the finest writing appeals only to the finest minds, and the latter are stray blossomings in an oasis of respectability. It is not, in the circumstances, difficult to explain Mr. Roe's popularity. He tells a pleasant story with unaffected simplicity; he is always on the side of conservative feeling; he is eager to help men and women, as well as to amuse them; he is, in short, the most earnest and effective representative of a numerous 'home gathering' that is now writing in this country. Why, then, should he not be popular? The bold or merely erratic genius of distinctly literary writers might not be appreciated or comprehended by Mr. Roe's public. Even so aggressive a person as that turbulent and pyrotechnic Frenchman, Guy de Maupassant, attacks criticism in a way which should be a lesson to Mr. Roe's least generous critics. Without any kind of preconception or theory M. Maupassant says: 'A critic should understand, distinguish, and explain the most opposite tendencies, the most contrary temperaments, and admit the most adverse researches of art.' On such a broad basis of criticism every admissible popularity may be fairly accounted for.
"Mr. Roe, the man, is an exact counterpart, one may say, of Mr. Roe, the author. As an author, in the first place, he is remarkably candid. He has been so candid, indeed, that the tendency of certain critics to treat him disingenuously is rather absurd. These critics want him to write books, apparently, which he does not propose to write; they overlook the fact that Mr. Roe has stated very clearly just what he desires to write. In a preface to one of his novels he says, in effect, that if his books are not beautiful works of art they are at least books which tender peace and resignation to many lives. (I am not quoting, by the way, but am presenting the idea which must have been in Mr. Roe's mind when he wrote that preface.) There are so many clever books published nowadays which pervert the young and sensitive conscience—a word not included in the vocabulary of our 'disagreeably' artistic novelists—that it may be wise to accept Mr. Roe's novels as good morality, if not as the best literature.
"It is not every author who puts himself into his books. Drunkards have written temperance tracts. Blackguards have written treatises on ideal existence. Posing fops have railed against the hardships which beset noble ambition. Mr. Roe has written the best that is in him for the best that is in thousands of men and women. I have tried to indicate briefly what he is as an author. As a man, he is not less genial, sincere, and agreeable than his books. The cleverest authors are, as a rule, far more entertaining and astonishing in their books than in themselves. In themselves, to speak the truth, they are not likely to be either entertaining or astonishing. I should look to few of them as acceptable hosts. Mr. Roe proved himself, and proved how good a host he was, on a recent Saturday afternoon, when some thirty or forty members of the Authors' Club accepted his invitation to spend a day at his house and grounds on the historic heights of Cornwall.
"Nearly all those who accepted Mr. Roe's invitation travelled to Cornwall by water. And they were not a bad lot, taking them together. There was E. C. Stedman, for example, the most popular writer among writers, the youngest man, by all odds, for his age—fuller of the exhilaration of youth than most of his juniors by twenty years; C. C. Buel, associate editor of the Century, who will soon marry Miss Snow, an adopted daughter (if I am not mistaken) of 'John Paul,' otherwise known as Mr. Webb; Mr. Webb himself, wearing that contentedly placid air which he never seems to shake off, and always on time with a good story or joke; A. J. Conant, whose yarns are famous, and whose tall form swayed benignly under a huge slouch hat; Hamilton W. Mabie, the youthful and smiling editor of the Christian Union; W. L. Keese, one of the few men who can speak with authority on the acting of Burton; Theodore L. De Vinne, recently returned from Europe, where he had vast trouble in keeping warm; W. H. Bishop, who has got beyond the 'promising' stage in novel writing and who will spend his summer in France; Henry Harland ('Sidney Luska'), as cheerful as his stories are sombre—just the sort of personality that does not repeat itself in literature; Raymond S. Perrin, who is kind enough to save some of his friends from disaster by presenting his first published book—price $5—to them; W. S. Walsh, close shaven as a priest, and editor of Lippincott's; Noah Brooks, once upon a time presiding genius of the Lotus Club, and the author of several charming books for boys; Edward Carey, associate editor of the New York Times; Leonard Kip, Albert Matthews, John H. Boner, R. R. Bowker, and several representatives of the Century's staff.
TABLET ON BOULDER IN "ROE PARK."
"When this crowd of writers—numbering about thirty in all—reached Mr. Roe's home, they found Richard Henry Stoddard and Julian Hawthorne installed there. Mr. Stoddard may now be classed properly among our 'venerable' poets, although he enjoys excellent health and gets through an immense amount of work. Hawthorne, in a flannel shirt, with a soft red tennis cap on his handsome head, was by far the most picturesque figure of the group. As to the host, Mr. Roe, he is a man of somewhat striking presence. He is of medium height, strongly built, with a gravely pleasant and intelligent face; his dark hair is brushed off a high forehead, his beard and mustache are long and black; he has kindly gray eyes, and his manner is that of a man who has spent the greater part of his life in the atmosphere of home. To do good, to help others—that appears to be his earnest ambition. The notes of religion and morality dominate the note of literature in him. In fact, he is much less an author than a teacher. Once he preached from the church pulpit, now he preaches through his books, and he finds the latter method far more profitable, at least, than the former.
"Mr. Roe does not confine himself, however, to the making of such books as please the great Philistine class. He is an authority on the cultivation of small fruits and flowers. What he has written upon this interesting subject possesses scientific value. Upon his grounds at Cornwall he raises some beautiful specimens of the rose, and strawberries as large and luscious as any found in New Jersey soil during June. The day selected for the authors' visit to Cornwall happened to be at the height of the strawberry season, and the manner in which these usually sedate persons made their way to Mr. Roe's strawberry bushes immediately after greeting their host reminded one of the skirmishing of boys in a melon patch. The berries, many of them with the circumference of a young tomato, were dug remorselessly from their cool shadows, while a particularly hot sun poured down upon the backs of thirty perspiring authors. But the fruit was worthy of the effort used in plucking it, for Mr. Roe has brought strawberry culture to a rare state of perfection. His berries, whether large or small, have a singularly sweet and delicate flavor; they are richly colored, and their meat is as firm as that of a ripe peach.
"Mr. Roe's grounds are quite spacious, and lie directly under the shade of Storm King. They are included in the plateau of a hill, and the scenery round about—especially in the direction of the Hudson—is wonderfully varied and picturesque. Mr. Roe's father and grandfather resided at Cornwall, and now a fourth generation of the family is identified with this lovely bit of country. The house occupied by the novelist is not the one built by his ancestors. It is a plain, old-fashioned structure, built as every similar structure should be—with a broad, breezy hall running from end to end, thus dividing the lower part of the house into two comfortable compartments. The various rooms—and there are plenty of them—are neatly but not pretentiously furnished, books and pictures being their chief ornaments. On the top floor Mr. Roe has his workshop—a long, narrow, uncarpeted room, under a slanting roof, well ventilated, and filled with lazy lounges and chairs, common book-shelves, a large writing-desk, and a cabinet containing specimens of Hudson River birds. Mr. Roe's latest hobby is to collect birds and to study their songs. He stuffs the birds and jots down in a note-book brief comments upon their songs. He is endeavoring, especially, to make an exact list of the time—to the fraction of a second—at which each bird begins to sing in the early dawn. 'I like to get my facts from nature,' he said to me, 'not from other men's books.'
"Mr. Roe is one of the most hospitable of men, a fact which his thirty author-friends would have discovered if they had not known that it was a fact. A day seldom goes by that does not bring him a visitor who receives a royal welcome; a night seldom passes that does not find occupants for his spare rooms. Whoever takes the trouble to call upon him he is glad enough to see. If his half-million readers could call upon him simultaneously they would be led cheerfully to the strawberry patch. Authors may thrive on the stones of a city because they must; but the ideal home for an author is that of E. P. Roe at Cornwall.