“Dear friend,” she answered gently, “we will remember each other with a tender friendship. Your heart will not break. It must not. A loving wife will console you. Addio!

“To God!” There could be no more perfect parting word. They clasped hands for one trembling moment, then bowed their heads, and turned away.

CHAPTER III.

Among those who were on the steps of San Michele when the funeral gondola of Professor Mora reached them was a man who seemed to be waiting to assist at his burial. He followed to the chapel, and went away as soon as the service was over.

He was a young man, scarcely more than thirty years of age, a little taller than medium, slender, but athletic, and of a dark complexion. In the light, his dark hair had an auburn tinge, and his dark eyes a violet shade. His fine serious face had a look of high intelligence, and in the church, something even exalted, in its expression. He had brows to which Lavater would have ascribed great powers of observation; and his look was steady and penetrating. It recalled the old story of disguised deities who were recognized by their moveless eyeballs. He was quiet, and his dress was conventional, neither fine nor coarse. Both face and manner expressed refinement. It could be seen that his hands bore the marks of labor. If you had asked what his trade was, he would have said that he was a carpenter. Those who looked at him once with any attention, looked again.

When the funeral was over, this young man crossed the Laguna Morta, and landed at the steps behind San Marco. He went round into the church, looking at every part of it attentively. He did not appear to be either an artist or a worshiper, still less a tourist.

He might have been taken for an artisan who examined intelligently, but without enthusiasm, to see how the work was done. A closer view of his luminous dark eyes revealed a second expression, something mystical and exalted, as though he looked through the object his glance touched, and saw, not only the workman who had wrought it, but his mind and intention.

He made one slow circuit of the church, uttering not a word till he went up stairs and looked at the Judas hanging to a tree, the fresco half hidden in a corner of the gallery.

Absit!” he exclaimed then, shuddering.

As he went out of the church, an old man seated on the step tried to rise, but with difficulty, being lame. The stranger aided him.