“Have you been working very hard, is the more important question?” he said, turning his eyes away from those candid brown ones, with, to do him justice, a certain passing shame in his own. “I’m afraid there’s no need to ask that! You look awfully tired, Clemence!”
She shook her head with a pretty, brisk movement of reassurance.
“Oh, no!” she said, “it’s not been at all a hard day. It never seems hard, you know, when we don’t have to stay late, unless something goes wrong in the work-room; and I don’t think that happens very often.”
There was a simple, genuine content in the tone and manner in which the words were spoken, which, taken in conjunction with the colourlessness of the face, the tired look about the eyes, and the poor, worn dress, told a wonderful little story of patience and serenity of spirit.
All that Julian Romayne knew of Clemence Brymer—the brief and very simple outline of her life as she had told it to him—was comprised in a few by no means uncommon facts. She was a “hand” in one of the big millinery establishments, and had worked at the same place for the last two years. Before that time she had lived from her childhood first with a married brother, and then, when he died, with his widow and children. From a certain touch of reserve in her manner of speaking of those particular years, Julian had gathered that they had been hard ones. The marriage of the brother’s widow, and her departure to Australia, had left Clemence alone in London. Her parents, she told Julian, had come from Cambridgeshire; and one of her faint recollections of her father, who had died when she was only five years old, was of sitting on his knee in their little attic room in London, and being told by him about his country home. Her mother had died when she was a baby; and all her scanty recollections seemed to centre round the father, who, as she said simply, had been “a very good man.”
The simple trust and confidence in her face as she raised it to Julian now was a curious contrast to the nervous, half-frightened uncertainty of her glance at him on that night in the spring when they had shared for those two or three minutes the shelter of the same portico. But paradoxical as it seems at first, both expressions were the outcome, on different lines, of the same moral characteristic. Clemence, though there was that about her—as her face testified—which kept her, in all unconsciousness and innocence, strangely aloof and apart from her world, had not spent her life in London without learning to know its dangers. But the very purity which made the glances which she was forced to encounter in the streets at night a distress to her; which made the very proximity of an unknown “gentleman” an uneasiness to her; which made theoretical evil, in short, a terror to her; rendered her singularly incapable of recognising its existence on any but the baldest lines. Her confidence was quickly won because, though she was conscious of a world of evil about her, it was as a something large, and black, and obvious that she regarded it. Brought into contact with herself, anything fair-seeming was touched by the whiteness of her own temperament; and, with such unconscious extraneous aid, the thinnest veil was enough to hide from her anything behind. Her confidence once won, might be destroyed, but could hardly be shaken. Something in Julian’s face and manner had won it for him, and the outline of his circumstances which he had given her had won him something else—her pity.
Exactly by what motive he had been actuated in his statements to her, Julian would have found it rather hard to say; as a matter of fact he never asked himself the question. Before the end of their first walk together he had presented himself to her as a medical student living entirely alone in London, having no female friends, or even acquaintances, and wearying often of the rough masculine companionship of his fellows. On these grounds he had asked her when they parted at the end of a little poverty-stricken street near the farther end of the Hammersmith Road, whether he might meet her now and again and walk home with her. She had hesitated for an instant, and then had assented, very simply.
“You haven’t had to work late for four nights now,” she said, as they turned their backs upon Piccadilly and began to walk steadily in the opposite direction. “Shall you have to to-morrow night, do you think?”
She lifted her eyes to his face as she spoke, and as he looked down and met them it would have been clear to an onlooker what was the charm that those long evening walks possessed for Julian. In the girl’s clear eyes there was admiration and absolute reliance. In the look with which he answered them there was conscious superiority and protection.
Just at the moment when he was sore and smarting with a sense of humiliation and futility; when in his newly-aroused angry discontent all intercourse with women of his own class had become a farce and an inanity to him; accident had thrown it into his power to create for himself, as it were, a world in which all that had suddenly revealed itself as lacking in his actual life should be lavished upon him. For his acquaintance of Piccadilly he had absolutely no surroundings, except such as he chose to give himself. The Julian Romayne of society, the nonentity, the “figure-head,” as he had muttered angrily to himself, had no existence for her. It was Julian’s own private Julian, a personality developed side by side with the sudden and violent re-adjustment of his conception of his relations with the world, who was looked up to, listened to, respected, and deferred to during the hour’s walk which lay between that side-street out of Piccadilly and a certain little street out of the Hammersmith Road. A vague, undefined craving for pre-eminence and admiration had risen in him with his realisation of his dependence, and the reflected nature of the light with which he shone in society. To a weak nature in which that craving has once stirred it matters little by what means it is met, so that it is to some extent satisfied.