'Paints? What ever are you talking about, Em?'
She had bent over her sewing again, and he could not see her face as she answered, 'When Minnie and I were little girls, I reckon we never had any secrets from each other, at all. I know I talked about things to her I never could have told anybody else. She was that way with me, too. Well, she always said she wanted to paint, and I wanted to play. She was always copying every picture she saw. I remember she did one picture called A yard of Roses, from a calendar. It was so good you couldn’t have told the difference. Don’t you remember the time she took the prize at the art exhibit at the country fair, with a picture she had copied, called The Storm? One of the judges said it just made him shiver to look at it, it was so real.'
'Come to think of it, I believe I do recollect something about Min having queer notions. I know us boys used to think she was stuck-up. What did she mean about the vow and about this picture being of you, by her?'
For a moment there was only the little click of her thimble against the needle. Then she said, 'I guess I can’t make it clear to you, Jake. Minnie always did have her own way of putting things. We had lots of fancies, as we used to call them. But I suppose she was thinking about our old dreams. If they’d come true, she might have painted me, sitting like that.'
'It don’t look much like you, even when you was young,' was the reply of the man, not given to 'fancies'; 'but what is it about the vow?'
'I don’t know,' said his wife shortly.
It was one of the few lies she had ever told her husband. Just why, having told him so much, she couldn’t tell him that Minnie Jackson and she had promised each other that, no matter what happened, nothing should keep them from realizing their ambitions, and that each year they would give a report to each other on their birthday, she could not have said. But suddenly her throat contracted and she could not see the patch on the coat.
'How this lamp does smoke!' she said, as she brushed her hand over her eyes.
'Well,' yawned her husband, 'I guess most folks, leastwise most girls, have silly notions when they’re young. Who’d ever think to see you now, that you ever had any such ideas? You’re a good wife for a farmer, Em. There ain’t a better woman anywhere, than you.'
It was one of the few times in all the years of their marriage that he had praised her. Jacob Black had never been one to question life or to marvel at its wonders. For him, it held no wonders. The spell of life had caught him when he was young. He had 'fallen in love' with Emmeline Mead and he had married her. She had borne him eight children. Five of them had lived. If Jacob Black had thought about it at all, which he did not, he would have said that was the way life went. One was young. Then one grew old. When one was young, one married, and probably there were children.