"It proves that he loved Miss Croyden best—that he couldn't bear the other woman after her." I thought it was no use matching ethical ideals with him and I let the matter drop. It came back to me next day that if he had been with O'Farrell in Lawrence's time, he might have known something of the other Shamrocks. I meant to ask him about it in the morning, but put it off as I observed that the recollection of it seemed to have stirred him past the point of being able to sleep. He was pale in the morning, and the rings under his eyes stood out plainly; he had the whipped look of a man who has been so long accused of misdemeanour that he comes at last to believe he has done it. I could see the impulse to confess hovering over him, and the hope that I might find in his misbehaviours the excusing clue which he was vaguely aware must be there, but couldn't himself lay hands on. I suppose souls in the Pit must have movements like that—seeking in one another the extenuations they can't admit to themselves.

We didn't, however, strike the note of confidence until it was evening. Griffin kept up the form of looking for an engagement, which occupied his morning hours, and in the afternoon Jerry came in to see how I had come through the cold spell, and to win my interest with his wife to consent to his going as far as St. Louis with "The Futurist." I forget what reasons he had for thinking it advisable, except that they were all more or less complicated with Miss Filette.

"But, heavens, Jerry, haven't you ever heard of the freemasonry of women? How can you think my sympathies wouldn't be with your wife? Especially in her condition."

"It's only for a week; and, you know, except for her fussing, she is perfectly well. And look here, Olivia, you know exactly why I have to have—other things; why I can't just settle down to being—the plain head of the family." His tone was accusing.

"I know why you think you have to. Honest, Jerry, is it so imperative as all that?"

"Honest to God, Olivia, unless I'm ... interested ... I can't write a word." His glance travelling over my dull little room and makeshift furniture, the cheap kerosene lamp, the broken hinge of the stove. "You ought to know," he drove it home to me. I felt myself involved by my toleration of Griffin in a queer kind of complicity.

"What do you want me to do?"

"Tell her you think it is to the advantage of the play for me to be there in St. Louis for the opening. It's always good for an interview, and that's advertising." After all I suppose I wouldn't have done it if I hadn't found his wife in a wrapper at four o'clock in the afternoon, when I went out there. If she wouldn't make any better fight for herself, who was I to fight for her? And as Jerry said, for him to be with the play, meant advertising.

I talked it over with Griffin that evening, as we sat humped over my tiny stove before the lamps were lighted. Outside we could see the roofs huddling together with the cold, and far beyond, the thin line of the lake beaten white with the wind in a fury of self-tormenting. It made me think of poor little Mrs. Gerald under the lash of her husband's vagaries.

"I can't help think that she'd feel it less if she made less fuss about it," I protested. Griffin shook his head.