Where the twin rivers set back the tides from the bay, the Land of the Little Duck begins. The tides come head-on past the Golden Gate and the river answers to their tremendous compulsion far inland, past the point where the Sacramento and San Joaquin flow together. On the lee side of the headland which makes the southern pilaster of the Gate, sits San Francisco, making of the name she borrowed from the bay a new and distinguished thing, as some women do with their husbands' titles. A better location for a city is Carquinez Strait; the Mexican comandante resident at Sonoma would have had it there, bearing the name of his wife, Francesca. Said he to the newly arrived American authorities, "Do so, and I will furnish you the finest site in the world, with State house and Residence complete." But it appears the land has chosen its own name.
All the years after the Pope had divided the New World between Spain and the Portuguese, the harbour lay hidden. Cabrillo, Drake, Maldonado, Juan de Fuca, Viscaino passed it in the night or veiled in obscuring fogs. And then Saint Francis showed it clear and lovely to Don Gaspar Portola, having for that revelation led him with holden eyes past his journey's objective. Likewise, when the time was ripe, he put it into the mind of the Yankee alcalde at Yerba Buena, a trading-post in the neighbourhood of Mission Dolores, that if the hamlet should be called San Francisco it might catch by implication the vessels clearing all ports of the world for San Francisco bay.
O Chance, Chance! says the historian and turns another page. But it is my opinion that among the birds to which Saint Francis preached was included the Little Duck.
The piers of the city front east, they face the Berkeley Hills, the Oaklands, the lands of the Sycamore, or, as the first settlers named them, the Alamedas. From thence vast settlements take their name, feeding the city as sea-birds do, from their own breasts. Back and forth between them the shuttling ferries weave thin webs of glistening wakes, duck-bodied tugs chugg and scuttle, busy still at world-building. From the promontory which makes the northern barrier of the Gate, Tamalpias swims out of atmospheric blueness. On its seaward slope, hardly out of reach of the siren's bellowing note, Muir Park preserves the ancient forest, rooted in the litter of a thousand years. And round about the foot of city and mountain the waters of the bay are blue, the hills are bluer. The hills melt down to greenness in the spring, the water runs to liquid emerald, flashing amber; the hills are tawny after rains, the waters tone to the turbid, clayey river-floods; land and sea they pursue one another as lovers through changing moods of colour; they have mists for mystery between revealing suns. Unless these things count for something, San Francisco is the very worst site in the world for a city. You take your heart in your mouth every time you go out to afternoon tea in the tram-cars that dip and swing like cockles at sea. They cut across streets so steep that grass grows between the cobbles where no traffic ever passes, to plunge down lanes of dwellings perched precariously as sea-birds' nests on the bare bones of hills that for true hilliness shame Rome's imperial seven. The bay side of the peninsula is mud, the Pacific side is sand. There great wasteful dunes blow up, they shift and pile, they take the contours of the wind-lashed waters—the very worst site in the world for a great city's pleasure-ground, and yet somehow it is there.
For this city is one of those which have souls; it is a spirit sitting on a height, taking to itself form and the offices of civilisation. This is a thing that we know, because we have seen the land shake it as a terrier shakes a rat, until the form of the city was broken; it dissolved in smoke and flame. And then as a polyp of the sea draws out of the fluent water form and perpetuity for itself, we saw our city draw back its shapes of wood and stone, and statelier, more befitting a spirit that has endured so much. Nobody knows really what a city is except that it is something more than a collocation of houses. From Telegraph Hill, where the old semaphore stood, which signalled the far-between arrivals of ships around the Horn, you can see the trade of the world pass and repass the pillars of the Gate, the wall-sided warships. But none of these things really explain how San Francisco came to be clinging there to the leeward of a windy spit of land, like a great, grey sea-bird with palpitating wings.
TAMALPIAS
True to her situation, San Francisco is nothing if not dramatic. One recalls that the earliest foundation was dedicated to Our Lady of Dolors, Nuestro Señora de Dolores; the Indians fought here as they did nowhere else against Christian dominion. There were more burials than baptisms, and in the old cemetery of Yerba Buena the dead were so abandoned of all grace that the sand refused to hold them. One who spent his boyhood in the shifting purlieus of the old Laguna told me how in the hollows where the scrub oaks shrugged off the wind and the sand waved like water, the nameless coffins were covered and uncovered between a night and day. But if the dead could not hold their tenancy, the living succeeded. They did it by the very force of that dramatic instinct awakened by the plot and counterplot of natural forces.
No Greek tragedy moved to more relentless measures than the moral upheaval of '56, when the whole city, in solemn funeral train behind the victim of one of those wild outbursts of lawlessness peculiar to the "gold rush," saw the lifeless bodies of the perpetrators hanging from the upper windows of the Vigilance Committee. Fifty years later came a wilder rout, down streets searched out by fire, snatching at humour as they ran, as so many points of contact for the city's rebuilding.