Sally Reynolds told a short story of a negro pet of Mrs. Kershaw’s. The little negro clung to Mrs. Kershaw and begged her to save him. The negro mother, stronger than Mrs. Kershaw, tore him away from her. Mrs. Kershaw wept bitterly. Sally said she saw the mother chasing the child before her as she ran after the Yankees, whipping him at every step. The child yelled like mad, a small rebel blackamoor.
May 16th.—We are scattered and stunned, the remnant of heart left alive within us filled with brotherly hate. We sit and wait until the drunken tailor who rules the United States of America issues a proclamation, and defines our anomalous position.
Such a hue and cry, but whose fault? Everybody is blamed by somebody else. The dead heroes left stiff and stark on the battle-field escape, blame every man who stayed at home and did not fight. I will not stop to hear excuses. There is not one word against those who stood out until the bitter end, and stacked muskets at Appomattox.
COL. JAMES CHESNUT, SR.
From a Portrait in Oil by Gilbert Stuart.
May 18th.—A feeling of sadness hovers over me now, day and night, which no words of mine can express. There is a chance for plenty of character study in this Mulberry house, if one only had the heart for it. Colonel Chesnut, now ninety-three, blind and deaf, is apparently as strong as ever, and certainly as resolute of will. Partly patriarch, partly grand seigneur, this old man is of a species that we shall see no more—the last of a race of lordly planters who ruled this Southern world, but now a splendid wreck. His manners are unequaled still, but underneath this smooth exterior lies the grip of a tyrant whose will has never been crossed. I will not attempt what Lord Byron says he could not do, but must quote again: “Everybody knows a gentleman when he sees him. I have never met a man who could describe one.” We have had three very distinct specimens of the genus in this house—three generations of gentlemen, each utterly different from the other—father, son, and grandson.
African Scipio walks at Colonel Chesnut’s side. He is six feet two, a black Hercules, and as gentle as a dove in all his dealings with the blind old master, who boldly strides forward, striking with his stick to feel where he is going. The Yankees left Scipio unmolested. He told them he was absolutely essential to his old master, and they said, “If you want to stay so bad, he must have been good to you always.” Scip says he was silent, for it “made them mad if you praised your master.”
Sometimes this old man will stop himself, just as he is going off in a fury, because they try to prevent his attempting some feat impossible in his condition of lost faculties. He will ask gently, “I hope that I never say or do anything unseemly! Sometimes I think I am subject to mental aberrations.” At every footfall he calls out, “Who goes there?” If a lady’s name is given he uncovers and stands, with hat off, until she passes. He still has the old-world art of bowing low and gracefully.
Colonel Chesnut came of a race that would brook no interference with their own sweet will by man, woman, or devil. But then such manners has he, they would clear any man’s character, if it needed it. Mrs. Chesnut, his wife, used to tell us that when she met him at Princeton, in the nineties of the eighteenth century, they called him “the Young Prince.” He and Mr. John Taylor,[131] of Columbia, were the first up-country youths whose parents were wealthy enough to send them off to college.