Apropos of the brief residence of Doctor Morse in this house comes a quaint letter from Reverend Jeremy Belknap, the staid old doctor of divinity, and the founder of the Massachusetts Historical Society, which shows that girls over a hundred years ago were quite as much interested in young unmarried ministers as nice girls ought ever to be. Two or three months before the settlement of Mr. Morse in Charlestown, Doctor Belknap wrote to his friend, Ebenezer Hazard, of New York, who was a relative of Judge Breese:
"You said in one of your late letters that probably Charlestown people would soon have to build a house for Mr. Morse. I let this drop in a conversation with a daughter of Mr. Carey, and in a day or two it was all over Charlestown, and the girls who had been setting their caps for him are chagrined. I suppose it would be something to Mr. Morse's advantage in point of bands and handkerchiefs, if this report could be contradicted; but if it cannot, oh, how heavy will be the disappointment. When a young clergyman settles in such a town as Charlestown, there is as much looking out for him as there is for a thousand-dollar prize in a lottery; and though the girls know that but one can have him, yet 'who knows but I may be that one?'"[10]
Doctor Morse's fame has been a good deal obscured by that of his distinguished son, but he seems none the less to have been a good deal of a man, and it is perhaps no wonder that the feminine portion of a little place like Charlestown looked forward with decided interest to his settling among them. We can even fancy that the girls of the sewing society studied geography with ardour when they learned who was to be their new minister. For geography was Doctor Morse's passion; he was, indeed, the Alexis Frye of his period. This interest in geography is said to have been so tremendous with the man that once being asked by his teacher at a Greek recitation where a certain verb was found, he replied, "On the coast of Africa." And while he was a tutor at Yale the want of geographies there induced him to prepare notes for his pupils, to serve as text-books, which he eventually printed.
Young Morse seconded his father's passion for geography by one as strongly marked for drawing, and the blank margin of his Virgil occupied far more of his thoughts than the text. The inventor came indeed only tardily to discover in which direction his real talent lay. All his youth he worshipped art and followed (at considerable distance) his beloved mistress. His penchant for painting, exhibited in much the same manner as Allston's, his future master, did not meet with the same encouragement.
A caricature (founded upon some fracas among the students at Yale), in which the faculty were burlesqued, was seized during Morse's student days, handed to President Dwight, and the author, who was no other than our young friend, called up. The delinquent received a severe lecture upon his waste of time, violation of college laws, and filial disobedience, without exhibiting any sign of contrition; but when at length Doctor Dwight said to him, "Morse, you are no painter; this is a rude attempt, a complete failure," he was touched to the quick, and could not keep back the tears.
The canvas, executed by Morse at the age of nineteen, of the landing of the Pilgrims, which may be seen at the Charlestown City Hall, is certainly not a masterpiece. Yet the lad was determined to learn to paint, and to this end accompanied Allston to Europe, where he became a pupil of West, and, it is said, also of Copley.
West had become the foremost painter of his time in England when our ambitious young artist was presented to him, but from the beginning he took a great interest in the Charlestown lad, and showed him much attention. Once in after years Morse related to a friend this most interesting anecdote of his great master: "I called upon Mr. West at his house in Newman Street one morning, and in conformity to the order given to his servant Robert always to admit Mr. Leslie and myself even if he was engaged in his private studies, I was shown into his studio.
"As I entered a half-length portrait of George III. stood before me on an easel, and Mr. West was sitting with his back toward me copying from it upon canvas. My name having been mentioned to him, he did not turn, but pointing with the pencil he had in his hand to the portrait from which he was copying, he said, 'Do you see that picture, Mr. Morse?'
"'Yes, sir,' I said, 'I perceive it is the portrait of the king.'
"'Well,' said Mr. West, 'the king was sitting to me for that portrait when the box containing the American Declaration of Independence was handed to him.'