"A yet stranger business was that of a ghostly servant-maid, who used to be heard in the kitchen at deepest midnight, grinding coffee, cooking, ironing,—performing, in short, all kinds of domestic labour—although no traces of anything accomplished could be detected the next morning. Some neglected duty of her servitude—some ill-starched ministerial band—disturbed the poor damsel in her grave, and kept her at work without wages."
The little drawing-room once remodelled, however, and the kitchen given over to the Hawthorne pots and pans—in which the great Hawthorne himself used often to have a stake, according to the testimony of his wife, who once wrote in this connection, "Imagine those magnificent eyes fixed anxiously upon potatoes cooking in an iron kettle!"—the ghosts came no more. Of the great people who in the flesh passed pleasant hours in the little parlour, Thoreau, Ellery Channing, Emerson, and Margaret Fuller are names known by everybody as intimately connected with the Concord circle.
Hawthorne himself cared little for society. Often he would go to the village and back without speaking to a single soul, he tells us, and once when his wife was absent he resolved to pass the whole term of her visit to relatives without saying a word to any human being. With Thoreau, however, he got on very well. This odd genius was as shy and ungregarious as was the dark-eyed "teller of tales," but the two appear to have been socially disposed toward each other, and there are delightful bits in the preface to the "Mosses" in regard to the hours they spent together boating on the large, quiet Concord River. Thoreau was a great voyager in a canoe which he had constructed himself (and which he eventually made over to Hawthorne), as expert indeed in the use of his paddle as the redman who had once haunted the same silent stream.
Of the beauties of the Concord River Hawthorne has written a few sentences that will live while the silver stream continues to flow: "It comes creeping softly through the mid-most privacy and deepest heart of a wood which whispers it to be quiet, while the stream whispers back again from its sedgy borders, as if river and wood were hushing one another to sleep. Yes; the river sleeps along its course and dreams of the sky and the clustering foliage...."
Concerning the visitors attracted to Concord by the great original thinker who was Hawthorne's near neighbour, the romancer speaks with less delicate sympathy: "Never was a poor little country village infested with such a variety of queer, strangely dressed, oddly behaved mortals, most of whom look upon themselves to be important agents of the world's destiny, yet are simply bores of a very intense character." A bit further on Hawthorne speaks of these pilgrims as "hobgoblins of flesh and blood," people, he humourously comments, who had lighted on a new thought or a thought they fancied new, and "came to Emerson as the finder of a glittering gem hastens to a lapidary to ascertain its quality and value." With Emerson himself Hawthorne was on terms of easy intimacy. "Being happy," as he says, and feeling, therefore, "as if there were no question to be put," he was not in any sense desirous of metaphysical intercourse with the great philosopher.
It was while on the way home from his friend Emerson's one day that Hawthorne had that encounter with Margaret Fuller about which it is so pleasant to read because it serves to take away the taste of other less complimentary allusions to this lady to be found in Hawthorne's works:
"After leaving Mr. Emerson's I returned through the woods, and entering Sleepy Hollow, I perceived a lady reclining near the path which bends along its verge. It was Margaret herself. She had been there the whole afternoon, meditating or reading, for she had a book in her hand with some strange title which I did not understand and have forgotten. She said that nobody had broken her solitude, and was just giving utterance to a theory that no inhabitant of Concord ever visited Sleepy Hollow, when we saw a group of people entering the sacred precincts. Most of them followed a path which led them away from us; but an old man passed near us, and smiled to see Margaret reclining on the ground and me standing by her side. He made some remark upon the beauty of the afternoon, and withdrew himself into the shadow of the wood. Then we talked about autumn, and about the pleasures of being lost in the woods, and about the crows whose voices Margaret had heard; and about the experiences of early childhood, whose influence remains upon the character after the recollection of them has passed away; and about the sight of mountains from a distance, and the view from their summits; and about other matters of high and low philosophy."
Nothing that Hawthorne has ever written of Concord is more to be cherished to-day than this description of a happy afternoon passed by him in Sleepy Hollow talking with Margaret Fuller of "matters of high and low philosophy." For there are few parts of Concord to which visitors go more religiously than to the still old cemetery, where on the hill by Ridge Path Hawthorne himself now sleeps quietly, with the grave of Thoreau just behind him, and the grave of Emerson, his philosopher-friend, on the opposite side of the way. A great pine stands at the head of Hawthorne's last resting-place, and a huge unhewn block of pink marble is his formal monument.
Yet the Old Manse will, so long as it stands, be the romancer's most intimate relic, for it was here that he lived as a happy bridegroom, and here that his first child was born. And from this ancient dwelling it was that he drew the inspiration for what is perhaps the most curious book of tales in all American literature, a book of which another American master of prose[13] has said, "Hawthorne here did for our past what Walter Scott did for the past of the mother-country; another Wizard of the North, he breathed the breath of life into the dry and dusty materials of history, and summoned the great dead again to live and move among us."