Men who attract by a certain charm of manner which the character is unable to bear out, who make unconscious promises to the hope of others without ability to keep them, are ever those who complain most loudly of the fickleness of women, of the uncertainty of friendship, of their loveless lot.

Di did not answer. Any allusion to John, even the bare mention of his name, had become of moment to her. She never by any chance spoke of him, neither did she ever miss a word that was said about him in her presence; and often raged inwardly at the ruthless judgments and superficial criticisms that were freely passed upon him by his contemporaries, and especially his kinsfolk. From a very early date in this world's history, ability has been felt to be distressing in its own country, especially in the country. If a clever man would preserve unflawed the amulet of humility, let him at intervals visit among his country cousins. John had not many of these invaluable relations; but, happily for him, he had contemporaries who did just as well—men who, when he was mentioned with praise in their hearing, could always break in that they had known him at Eton, and relate how he had over-eaten himself at the sock-shop.

"One thing I am determined I won't do," continued Archie, "and that is marry poverty, like the poor old governor. He has often talked about it, and what a grind it was, with the tears in his eyes."

"What has turned your mind to marriage on this particular morning, of all others?"

"I don't know, unless it is the vision of little Crupps. I suppose I shall come to something of that kind some day. If it isn't her it will be something like her. One must live. You are on the look out for money, too, Di, so you need not be so disdainful. You can't marry a poor man."

"They don't often ask me," said Di. "I fancy I look more expensive to keep up than I really am."

"Ah! here comes Lady Verelst," said Archie, patronizingly. "I'd marry her, now, if she were a rich widow. I would indeed. She is putting up her red parasol. Quite right. She has not your complexion, Di, nor mine either."

Archie got up as Madeleine came towards them, and offered her his chair. Archie had several cheap effects. To offer a chair with a glance and a smile was one of them. Perhaps he could not help it if the glance suggested unbounded homage, if the smile conveyed an admiration as concentrated as Liebig's extract. His faithful, tender eyes could wear the sweetest, the saddest, or the most reproachful expression to order. Every slight passing feeling was magnified by the beauty of the face that reflected it into a great emotion. He felt almost nothing, but he appeared to feel a great deal. A man who possesses this talisman is very dangerous.

Poor Madeleine, confident of her appearance in her new Cresser garment, with its gold-flowered waistcoat, firmly believed, as Archie silently pushed forward the chair, that she had inspired—had been so unfortunate as to inspire—"une grande passion malheureuse." Almost all Archie's lovemaking, and that is saying a good deal, was speechless. He could look unutterable things, but he had not, as he himself expressed it, "the gift of the gab."

Madeleine was sorry for him, but she could not allow him to remain enraptured beside her in full view of Sir Henry's study windows.