And laughs the immortal river still
Under the mill, under the mill?"
Rupert Brooke.
I do not think you have ever heard of the little village of Riff in Lowshire, Reader, unless you were born and bred in it as I was. If you were, you believe of course that it is the centre of the world. But if you were not, it is possible you may have overlooked it in your scheme of life, or hurried past it in the train reading a novel, not even looking out as I have done a hundred times to catch a glimpse of it lying among its water meadows behind the willows.
But unless you know exactly where to look you can only catch a momentary glimpse, because the Rieben with its fringe of willows makes a half-circle round Riff and guards it from inquisitive eyes.
Parallel with the Rieben, but half a mile away from it on higher ground, runs the great white high road from London to Yarmouth. And between the road and the river lies the village of Riff. But you cannot see it or even the top of its church tower from the road, because the park of Hulver Manor comes in between, stretching in long leafy glades of oak and elm and open sward, and hiding the house in its midst, the old Tudor house which has stood closed and shuttered so long, ever since Mr. Manvers died.
When at last the park comes to an end, a deep lane breaks off from the main road, and pretending that it is going nowhere in particular and that time would be lost in following it, edges along like a homing cat beside the park wall in the direction of Riff, skirting a gate and a cluster of buildings, laiterie, barn and dovecot, which are all you can see of Red Riff Farm from the lane. I point it out to you as we pass, for we shall come back there later on. Riff is much nearer than you think, for the ground is always falling a little towards the Rieben, which is close at hand though invisible also.
And between the park and the river lies the hidden village of Riff.
You come upon it quite suddenly at the turn of the lane, with its shallow ford, and its pink-plastered cottages sprinkled among its high trees, and its thatched Vicarage, and "The Hermitage" with the honeysuckle over the porch, and the almshouses near the great Italian gates of Hulver Manor, and somewhat apart in its walled garden among its twisted pines the Dower House where Lady Louisa Manvers was living, poor soul, at the time this story was written.
I have only to close my eyes and I can see it all—can imagine myself sitting with the Miss Blinketts in their little parlour at The Hermitage, with a daguerreotype of the defunct Père Blinkett over the mantelpiece, and Miss Amy's soft voice saying, "They do say Lady Louisa's cook is leaving to be married. But they will say anything at Riff. I never believe more than half I hear."