THE MARBLE ROOM.
INSIDE THE CAPITOL.—WASHINGTON.
The four marble staircases leading to the Senate Chamber and Hall of Representatives, in themselves alone embody enough of grace and magnificence to save the Capitol from cynical criticism. We slip through the Senate corridor, you and I, to the President’s and Vice-President’s rooms. Their furniture is sumptuous, their decoration oppressive. Gilding, frescoes, arabesques, glitter and glow above and around. There is not one quiet hue on which the tired sight may rest. Gazing, I feel an indescribable desire to pluck a few of Signor Brumidi’s red legged babies and pug-nosed cupids from their precarious perches on the lofty ceilings, to commit them to nurses or to anybody who will smooth out their rumpled little legs and make them look comfortable.
We are Americans, and need repose; let us, therefore, pass to the Marble Room, which alone, of all the rooms of the Capitol, suggests it—
“The end of all, the poppied sleep.”
Its atmosphere is soft, serene, and silent. Its ceiling is of white marble, deeply paneled, supported by fluted pillars of polished Italian marble. Its walls are of the exquisite marble of Tennessee—a soft brown, veined with white—set with mirrors. One whose æsthetic eyes have studied the finest apartments of the world says that to him the most chaste and purely beautiful of all is the Marble Room of the American Capitol. Americans though we are, we have no time to rest, albeit we sorely need it.
It is not for you or me to linger in marble rooms, maundering of art. Molly, rocking her baby out on the Western prairie, wants to know all about the Senate; baby is going to be a senator some day. Moses, on that little rock-sown farm in New England, has his “chores all done.” He rests in the Yankee paradise of kerosene, butternuts, apples, and cider. Yet to make his satisfaction complete, he must know a little more about the Capitol. Molly and Moses both expect us to see for them what they can not come to see for themselves. So let us peep into the Senate. It can not boast of the ampler proportions of the Hall of Representatives. Its golden walls and emerald doors can not rescue it from insignificance.
The ceiling of this chamber is of cast-iron, paneled with stained glass—each pane bearing the arms of the different States, bound by most ornate mouldings, bronzed and gilded. The gallery, which entirely surrounds the hall, will seat one thousand persons. Over the Vice-President’s chair, the section you see separated from the rest by a net-work of wire, is the reporters’ gallery. The one opposite, lined with green, is the gallery of the diplomatic corps; next are the seats reserved for the Senators’ families. The Senators sit in three semi-circular rows, behind small desks of polished wood, facing the Secretary of the Senate, his assistants, the special reporters of debates, and the Vice-President.
On a dais, raised above all, sits the Vice-President. I have seen six men preside over the Senate. Hamlin, slow, solid, immobile, and good-natured. Foote, silver-haired, silver-toned, the king of parliamentarians. Foster of Connecticut, that most gentle gentleman, who went from the Senate bearing the good will of every Senator whatever his politics. Wade, the most positive power of all, with his high, steep head, shaggy eyebrows, beetling perceptive brow, half roofing the melancholy eyes, the rough-hewn nose, the dogged mouth, and broad immovable chin. Life lines our faces according to its will and gazing on the furrows of this one, one reads the story of the whole battle. Looking, there was no need that its owner should tell what a warfare life had been since the poor farmer-boy, more than half a century ago, turned his face from the Connecticut Valley and striving with the earth beneath his feet dug his way (on the Erie Canal) toward the West to fortune, and to an honorable fame. Then came Schuyler Colfax, who brought into the silent and stately Senate the habits of the bustling noisy house. It was a hard seat for “Schuyler,” that Vice-President’s chair, and he came at last to vacate it regularly by two o’clock that he might write in the seclusion of the Vice-President’s room a few of those ten thousand popular personal letters which made his chief lever of influence with the people and which he always used to write in the Speaker’s chair. As President of the Senate he was usually just, always urbane, never impressive. He had not the presence which filled the seat to the sight, nor the dignity which commanded attention, and silence. Under his ruling the Senate changed its character perceptibly from a grave august body to a buzzing and inattentive one. As the President of the Senate seldom listened to a speaker, the Senators as rarely took the trouble to listen to each other. The question discussed might be of the gravest import to the whole nation, the speaker’s words, to himself, might be of the most tremendous importance to the national weal, just the same he had to empty them upon vacancy, speaking to nothing in particular, while the Vice-President looked another way, and his colleagues went on scribbling letters, whispering political secrets to each other, munching apples in the aisles or smoking in the open cloak-rooms, with feet aloft.
Vice-President Wilson, without an atom of parliamentary experience, has already won the hearts and improved the manners of the Senate by simply giving attention to its debates. No matter how tiresome, he steadfastly looks and listens. The humblest speaker—seeing that he has one pair of eyes fixed upon him, one direct immovable point toward which he may direct his remarks—takes heart, and in spite of himself makes a better speech than would be possible were he beating a vacuum, and speaking to nobody in particular. Even his listening constituency and the next day’s Globe is not such an incentive to present inspiration as two steadfast eyes and one pair of good listening ears.