"This cite shulde be free, and now is bonde,
Dame goode Eve made hit free,"
wrote a discontented burger poet of the fifteenth century, when a custom for wool had been laid on the people of the town.[26]
Roger of Wendover tells us how the countess besought her husband continually, with many prayers to free the people from the toll; and though he refused and forbade her to approach him with this petition, "led by her womanly pertinacity," she repeated the request, until he gave answer: "Ride naked through the length of the market, when the people are gathered together, and when thou returnest, thy petition shall be fulfilled.... Then the countess, beloved of God, loosened her hair thus veiling her body, and then, mounting her horse and attended by two knights, she rode through the market seen of none, her white legs nevertheless appearing; and having completed her journey, returned to her husband rejoicing, and ... obtained from him what she had asked," for he forthwith gave the townsfolk a charter emancipating them from the aforesaid service.[27]
Naturally, the charter is not forthcoming, and historians have shrugged their shoulders at the mention of the story this many a day. It was not, however, until the time of Charles II. that the Godiva procession became a feature of Coventry fair. In 1678, we are told "Lady Godiva rode before the mayor to proclaim the fair" and the custom thus inaugurated obtains to this day. Of the window noted by Dugdale all traces disappeared amid the vandalism of the eighteenth century save a few fragments of glass now in the Archdeacon's chapel of Trinity Church, and of these one showing a tiny figure in a yellow dress riding a white horse and holding some foliage in the hand, is traditionally said to have formed part of the original design.[28]
GODIVA WINDOW
Such is the story which some accept undoubting, others dismiss as fabulous, and a third school, following the lead of Mr Hartland[29] and perceiving in the tale elements which occur in the folk-lore of widely distant countries, regard as a reminiscence of heathen ritual, maybe some processional festivities of spring or summer.[30] In support of this contention it may be urged that the story is not peculiar to Coventry, that there is a good deal of evidence showing the part unclad or bough-clad women played in magical and religious rites,[31] that black-faced characters—whereof more presently—appear in festivals manifestly derived from heathendom, and that the "Peeping Tom" element may be part of the universal fairy tale which relates the punishment awaiting those who pry into sights forbidden. Moreover, the prominence given to the horse in the story is extremely suggestive. In one version it is the neighing of Godiva's steed that attracts the attention of the peeper, causing him to look forth from the window, whence it comes that in Coventry market there is no exemption from toll for horses.[32] It may not be too fanciful to recall in this connection the part played by the hobby-horse at folk-festivals, and the sacrificial character of the horse in Teutonic heathendom.[33]
