[CHAPTER XXV]
THE PRICELESS STATUE THAT VANISHED
It is strange what undue fascination exists for things belonging to the ancient stories of the past, and curiously enough, Dollops had recently developed a deep interest in the British Museum. For days he would haunt that classic building, poring religiously over guide books and catalogues until it seemed as if he must have committed to memory their entire contents. Strangely enough, too, by reason of his very energetic admiration for the arts of the dead peoples of the earth, he was able to bring to Cleek's notice a remarkable case.
With puzzled brows and straining eyes, a day, some weeks later, Dollops sat in the dusk on top of the stairs in the house at Portman Square anxiously awaiting the return of his master.
Since this development of affection for art galleries and museums, Cleek had marked the auspicious event of Dollops' birthday with a copy of a famous classical dictionary. Henceforward the boy had diligently sought out the known statues of every god and goddess mentioned therein, and it was this queer hobby which led to the solution of one of the strangest riddles Cleek had ever been asked to solve.
Dollops had attached himself to the galleries of the Imperial Institute where was being held a special exhibition of sculpture. Priceless statues and examples of the sculptor's art had been gathered from almost every museum and private gallery in the world. When it was learned that the Italian Government had consented to lend the actual statue of the Capitoline Venus, public excitement was raised to fever pitch, and half London had crowded in to see the two-thousand-year-old figure.
Special precautions had been taken against fire or possible theft, for more than one millionaire would have risked a fortune to become even the secret owner of the statue.
Having purchased a subscription ticket for Dollops, Cleek was devoting his own time to Ailsa Lorne, and those exquisite days spent on the river in her company were to remain in his memory for many months to come. It was close on ten o'clock of this certain night that he came quietly up the stairs in Portman Square, nearly breaking his neck stumbling over the recumbent and sleeping figure of Dollops, tired out with waiting and excitement.
"What the deuce is the matter, you young monkey?" was his affectionate greeting, as he noted the excited look of his young protégé.
"Matter enough, Mr. Cleek, sir," stammered forth the boy. "I'm orf my bloomin' nut, sir. That's wot it is. Got no eyes in my 'ead, I don't think, or they're going orf duty. Strike me, sir, but you could 'ave knocked me down wiv a piece of chalk. I tell you, I ain't 'ad a scrap inside me since for thinkin' of it."