A Sheaf of Corn

by Mary E. Mann

The Bride stifled the little cry upon her lips, but with her heart beating thickly, fell back from the dressing-table, and leant against the foot of the bed.

A moment's thought reassured her. There was nothing, after all, disturbing in the reappearance of a photograph which had been displaced. The invaluable maid with her slanting eyes, with, perhaps, her stupid devotion to a memory, was responsible.

At the thought the Bride's nerves steadied themselves, but her anger arose. She moved to the bell—but stopped. Better not to create talk among the servants by the order she had meditated; rather let this portrait of the dead wife follow the rest.

But when she held it, frame and all, over the fire, she relented and drew it back. "It is not like me to be a superstitious fool. I will not," she said. "She is in her grave, and I am—here. In a way I did not wish, but could not help, I spoilt the last year of her life. She is dead, buried out of mind, shovelled away under the earth, that a joy undreamt of might come to me. This poor triumph at least she shall have, to keep her old place on the table. I will never dress in the morning without remembering I am in her place. When I prepare for my bed at night she shall not be forgotten."

"'Les morts que l'on fait saigner dans leur tombe se vengent toujours!'" she quoted to herself as she undressed; and while she prided herself upon being above superstition, decided upon the above method of propitiating the Shade.

In the night she had a dream which bathed her in the sweat of terror. Opening her dreaming eyes upon the dressing-table which faced the foot of the bed she saw the figure of the dead wife standing there. Its back, clothed in its long nightdress, was turned to her, but in the glass which had so often reflected it she saw the foolish, fat face, the over-curled, fair hair. She saw, too, that the figure held in one hand its own photograph, while, with a pencil held in the other it wrote, smiling the while its own fatuous smile, on the reverse of the picture.

In her dream the Bride knew this vision to be a dream, a knowledge which by no means lessened the horror of it. "I must awake or die!" she said, and in a minute seemed broad awake.

It was morning; the sunshine flooding the room shone, with a brilliance which hurt the eyes upon the silver frame of the picture on the dressing-table. Nothing else was there; all the silver-topped pans and jars and bottles had disappeared; even the companion photograph was no longer to be seen; only the face of her one-time friend smiled and smiled and seemed to beckon from the strangely brilliant, dazzling frame.

With the horror of the dream no whit abated, the Bride rose heavily from her bed, dragged mysteriously attracted feet, that yet seemed weighted with lead, across the floor to the dressing-table; picked up in a hand that fumblingly obeyed the motion of her will, the picture.

Upon the back, written in the dead woman's familiar scrawl were the date of her death, and the words, "Died by my own hand."