With shaking fingers the mother tore asunder the broad muslin strings of the hat upon which the child lay, rent open the dainty dress at the throat—"Look at mother! Milly! Milly! Look at mother!" she called wildly, impatiently, fiercely even.
As if in answer to the passionate appeal, the child's dark lashes stirred for a moment on the transparent cheek; were still; stirred again; then the dark eyes, so like the dark eyes of the dead father, opened upon the mother's face.
"Only fainted," the gentleman who had been proposing to officiate as Milly's stepfather said. He was much relieved that the scene, at which he had looked on awkwardly enough, was over. That for a three-year-old child to faint was an unusual, an alarming occurrence, he did not, of course, understand. Certainly, if Mrs Eddington thought it necessary, he would go for the doctor. He could probably bring him quicker than a groom. Should he carry the little Milly home first?
But the mother must carry Milly herself. No; nurse should certainly not touch her. Never again should nurse, who had let the child for a minute out of her sight, touch Milly.
Nurse, surreptitiously grasping a frill of the child's muslin frock, wept, silent and remorseful, as she walked alongside.
Once, the child, who lay for the better part of the half-mile to her home in a kind of stupor, opened her eyes again beneath her mother's frightened gaze and was heard to mutter something about some flowers.
"She is asking for the primroses she had gathered!" Mrs Eddington whispered, in a tone of intensest relief. "Did you bring them, nurse?"
The unfortunate nurse, of course, had not brought them.
"Milly's po'r flo'rs is dead," Milly grieved in the little weak voice they heard then for the first time. "Milly's daddy took Milly's flo'rs, and they died."
To that astonishing statement the child adhered during the first days of her long illness, till she forgot, and spoke of it no more. For any questioning, she gave no explanation of her words. She never enlarged upon the first declaration in any way, nor did she even alter the form of the words in which she gave it expression. Always she alluded to the curious delusion with a grieving voice, often with tears.