Jan. 1909. Johnny and I stood outside the Metropolitan Opera House this evening, to see the hodge-podge of carriages and automobiles arrive with their contents: the women who toil not, neither do they spin anything except financial webs for men's undoing. It was a queer sight! Hundreds of women passed me. As I looked at them, I saw the same long, pointed, manicured nails, the same jewelled fingers, the incurving fronts, the distorted busts, the lined and rouged faces—like those I loathed so when I first came to this city. I asked myself, "What's the difference between the two kinds? Is it money alone that makes it?"
"But are there two kinds?" I was asking myself again, when Johnny, who has an eye for good clothes on man and woman, called my attention to a woman's opera cloak. It was worth a man's ransom. From a deep yoke of Russian sable depended the long cape of pale green satin covered with graduated flounces, from eight to fourteen inches deep, of Venetian point. And taking in all this, I saw—
Well, I don't know that I dare to set down in words, even for my own enlightenment, what I saw in that Vision. But, suddenly, all the rich robings, opera cloaks, clinging gowns of silk, velvet and chiffon, the diamond tiaras, the jewelled necklaces, the French lingerie even—all dropped from every one in that procession; and there, on a New York sidewalk, in the harsh glare of electric lights, amidst the hiss and cranking of their automobiles, the clank of silver-mounted harness and the champing of bits, the shouts and calls and myriad city noises, I saw them for what they really are:—women, like unto all other women; women made originally for the mates of men, for mothers, for burden-bearers, with prehensile hands to grasp, then lead and uplift, and so aid in the work of the world.
And what more I saw in the Vision I may scarcely write down; for, therein, I was shown for these same women both unfathomable depths and scarce attainable heights, both degradation and transfiguration, the human bestial and the humanly divine—the Vampire, the Angel.
And I was shown in that Vision the Calvaries of maternity common to all, whether the conception be immaculate, so-called if within the law, or maculate, so-called if without the law. I saw, also, the Gethsemanes of motherhood common to all. I saw, moreover, the three Dolorous Ways which their feet—and the feet of all women, because women—are treading, have ever trod, must ever tread, that the seed which shall propagate the Race may be trodden deep for germination.
Moreover, I saw in that Vision the women treading the seed in the Ways. One of the Ways was stony, and those therein walked with bleeding feet for their labor was in vain; the land was sterile. And the second was deeply rutted with sand, and those therein labored heavily with sweat and toil; the fruition was but for a day. And the third Way was heavy with deeply-furrowed fertile soil, and those that trod it toiled long and late that the seed might not fail of abundant harvest.
Furthermore, I saw that every woman was treading one of these three Ways; and silk, and chiffon, or velvet gown, opera cloaks of sable and satin, diamond tiaras and jewelled necklaces could avail them naught. Trammelled by these or by rags—it matters not which—they must tread the Ways.
I pressed my hand over my eyes to clear them of this Vision; for, at last, I understood. I knew that I, too, being a woman, must tread one of the three Dolorous Ways even as my mother had trodden one before me. But which?
I could bear it no longer. "Come away, Johnny," I said abruptly.
April, 1909. I am beginning to be so tired of the confusion of the streets. The work at the Library has become irksome. I am tired of reading, too, and feel as if my last prop had been taken from under me, when I have no longer the desire to read.