IV
It was a careless question, carelessly put, and yet—Aileen Armagh, before she returned to the house, was also asking herself if she meant what she said, asking it with an unwonted timidity of feeling she could not explain. On coming in sight of the terrace, she saw that Mrs. Champney was still there. She hesitated a moment, then crossed the lawn to the boat house. She wanted to sit there a while in the shade, to think things out with herself if possible. What did this mean—this strange feeling of timidity?
The course of her life was not wholly smooth. It was inevitable that two natures like hers and Mrs. Champney's should clash at times, and the impact was apt to be none of the softest. Twice, Aileen, making a confidant of Octavius, threatened to run away, for the check rein was held too tightly, and the young life became restive under it. When the child first came to Champ-au-Haut, its mistress recognized at once that in her mischief, her wilfulness, her emphatic assertion of her right of way, there was nothing vicious, and to Octavius Buzzby's amazement, she dealt with her, on the whole, leniently.
"She amuses me," she would say when closing an eye to some of Aileen's escapades that gave a genuine shock to Octavius in the region of his local prejudices.
There had been, indeed, no "folderols" in her education. Sewing, cooking, housework she was taught root and branch in the time not spent at school, both grammar and high. During the last year Mrs. Champney permitted her to learn French and embroidery in a systematic manner at the school established by the gentle Frenchwomen in The Gore; but she steadily refused to permit the girl to cultivate her voice through the medium of proper instruction. This denial of the girl's strongest desire was always a common subject of dissension and irritation; however, after Aileen was seventeen a battle royal of words between the two was a rare occurrence.
At the same time she never objected to Aileen's exercising her talent in her own way. Father Honoré encouraged her to sing to the accompaniment of his violin, knowing well that the instrument would do its share in correcting faults. She sang, too, with Luigi Poggi, her "knothole boy" of the asylum days; and, as seven years before, Nonna Lisa often accompanied with her guitar. The old Italian, who had managed to keep in touch with her one-time protégée, and her grandson Luigi, made their appearance in the village one summer after Aileen had been two years in Flamsted. Luigi, now that his vaudeville days were over, was in search of work at the quarries; his grandmother was to keep house for him till he should be able to establish himself in trade—the goal of so many of his thrifty countrymen.
These two Italians were typical of thousands of their nationality who come to our shores; whom our national life, through naturalization and community of interests, is able in a marvellously short time to assimilate—and for the public good. Intelligent, business-like, keen at a bargain, but honest and graciously gentle and friendly in manner, Luigi Poggi soon established himself in the affections of Flamsted—in no one's more solidly than in Elmer Wiggins', strange to say, who capitulated to the "foreigner's" progressive business methods—and after three years of hard and satisfactory work at the quarries and in the sheds, by living frugally and saving thriftily he was able to open the first Italian fruit stall in the quarry town. The business was flourishing and already threatened to overrun its quarters. Luigi was in a fair way to become fruit capitalist; his first presidential vote had been cast, and he felt prepared to enjoy to the full his new Americanhood.
But with his young manhood and the fulfilment of its young aspirations, came other desires, other incentives for making his business a success and himself a respected and honored citizen of these United States. Luigi Poggi was ready to give into Aileen's keeping—whenever she might choose to indicate by a word or look that she was willing to accept the gift—his warm Italian heart that knew no subterfuge in love, but gave generously, joyfully, in the knowledge that there would be ever more and more to bestow. He had not as yet spoken, save with his dark eyes, his loving earnestness of voice, and the readiness with which, ever since his appearance in Flamsted he ran and fetched and carried for her.
Aileen enjoyed this devotion. The legitimate pleasure of knowing she is loved—even when no response can be given—is a girl's normal emotional nourishment. Through it the narrows in her nature widen and the shallows deepen to the dimensions that enable the woman's heart to give, at last, even as she has received,—ay, even more than she can ever hope to receive. This novitiate was now Aileen's.
As a foil, against which Luigi's silent devotion showed to the best advantage, Romanzo Caukins' dogged persistence in telling her on an average of once in two months that he loved her and was waiting for a satisfactory answer, served its end. For six years, while Romanzo remained at Champ-au-Haut, the girl teased, cajoled, tormented, amused, and worried the Colonel's eldest. Of late, since his twenty-first birthday, he had turned the tables on her, and was teasing and worrying her with his love-blind persistence. That she had given him a decided answer more than once made no impression on his determined spirit. In her despair Aileen went to Octavius; but he gave her cold comfort.