"Git up here quick if yer want to see—it's the Marchioness an' another kid. Come on!" she cried excitedly, pulling at Freckles' long arm. The two little girls knelt on the broad sill, and with faces pressed close to the window-pane gazed and whispered and longed until the electric lights were turned on in the dormitory and the noise of approaching feet warned them that it was bedtime.
Across the street from the Asylum, but facing the Avenue, was a great house of stone, made stately by a large courtyard closed by wrought-iron gates. On the side street looking to the Asylum, the windows in the second story had carved stone balconies; these were filled with bright blossoms in their season and in winter with living green. There was plenty of room behind the balcony flower-boxes for a white Angora cat to take her constitutional. When Flibbertigibbet entered the Asylum in June, the cat and the flowers were the first objects outside its walls to attract her attention and that of her chum, Freckles. It was not often that Freckles and her mate were given, or could obtain, the chance to watch the balcony, for there were so many things to do, something for every hour in the day: dishes to wash, beds to make, corridors to sweep, towels and stockings to launder, lessons to learn, sewing and catechism. But one day Flibbertigibbet—so Sister Angelica called the little girl from her first coming to the Asylum, and the name clung to her—was sent to the infirmary in the upper story because of a slight illness; while there she made the discovery of the "Marchioness." She called her that because she deemed it the most appropriate name, and why "appropriate" it behooves to tell.
Behind the garbage-house, in the corner of the yard near the railroad tracks, there was a fine place to talk over secrets and grievances. Moreover, there was a knothole in the high wooden fence that inclosed the lower portion of the yard. When Flibbertigibbet put her eye to this aperture, it fitted so nicely that she could see up and down the street fully two rods each way. Generally that eye could range from butcher's boy to postman, or 'old clothes' man; but one day, having found an opportunity, she placed her visual organ as usual to the hole—and looked into another queer member that was apparently glued to the other side! But she was not daunted, oh, no!
"Git out!" she commanded briefly.
"I ain't in." The Eye snickered.
"I'll poke my finger into yer!" she threatened further.
"I'll bite your banana off," growled the Eye.
"Yer a cross-eyed Dago."
"You're another—you Biddy!" The Eye was positively insulting; it winked at her.
Flibbertigibbet was getting worsted. She stamped her foot and kicked the fence. The Eye laughed at her, then suddenly vanished; and Flibbertigibbet saw a handsome-faced Italian lad sauntering up the street, hands in his pockets, and singing—oh, how he sang! The little girl forgot her rage in listening to the song, the words of which reminded her of dear Nonna Lisa and her own joys of a four weeks' vagabondage spent in the old Italian's company. All this she confessed to Freckles; and the two, under one pretence or another, managed to make daily visits to the garbage house knothole.