"Round at the west—there are some people coming out now—here we are. You'll find me here when you come back."

"I shall be back within a half an hour; I telephoned Father Honoré I was coming up—you're sure you don't mind waiting here alone? I'll get back before dusk."

"What should I be afraid of? I won't let the stones fall on me!"

She sprang to the ground. Octavius turned the horse and drove off.


On entering the shed she caught her breath in admiration. The level rays of the July sun shone into the gray interior illumining the farthest corners. Their glowing crimson flushed the granite to a scarcely perceptible rose. Portions of the noble arches, parts of the architrave, sculptured cornice and keystone, drums, pediments and capitals, stone mullions, here and there a huge monolith, caught the ethereal flush and transformed Shed Number Two into a temple of beauty.

She sought the section near the doors, where Jim McCann worked, and sat down on one of the granite blocks—perhaps the very one on which he was at work. The fancy was a pleasing one. Now and then she laid her hand caressingly on the cool stone and smiled to herself. Some men and women were looking at the huge Macdonald machine over in the farthermost corner; one by one they passed out at the east door—at last she was alone with her loving thoughts in this cool sanctuary of industry.

She noticed a chisel lying behind the stone on which she sat; she turned and picked it up. She looked about for a hammer; she wanted to try her puny strength on what Champney Googe manipulated with muscles hardened by years of breaking stones—that thought was no longer a nightmare to her—but she saw none. The sun sank below the horizon; the afterglow promised to be both long and beautiful. After a time she looked out across the meadows—a man was crossing them; evidently he had just left the tram, for she heard the buzzing of the wires in the still air. He was coming towards the sheds. His form showed black against the western sky. Another moment—and Aileen knew him to be Champney Googe.

She sat there motionless, the chisel in her hand, her face turned to the west and the man rapidly approaching Shed Number Two—a moment more, he was within the doors, and, evidently in haste, sought his section; then he saw her for the first time. He stopped short. There was a cry:

"Aileen—Aileen—"