"Did I hit hard? I didn't think for a moment that you would recognize me; but I knew you as soon as mother introduced us. I see by your face, mother, that you need enlightening. It was only that I met Father Honoré"—he brought that out with no hesitation—"at the entrance to one of the New York theatres over a year ago, and in the crowd nearly ran him down. No wonder, sir, you sized me up by the pressure as a football fiend. That's rich!" His merry laugh reassured his mother; she turned to Father Honoré.
"I don't know whether all my son's acquaintances are made at the theatre or not, but it is a coincidence that the other day he happened to mention the fact that the first time he saw Mr. Van Ostend he saw him there."
"It's my strong impression, Mrs. Googe, that Mr. Googe saw us both at the same place, at the same time. Mr. Van Ostend spoke to me of your son just a few days before I left New York."
"Did he?" Champney's eager blue eyes sought the priest's. "Do you know him well?"
"As we all know him through his place in the world of affairs. Personally I have met him only a few times. You may know, perhaps, that he was instrumental in placing little Aileen Armagh, the orphan child,—you know whom I mean?—at Mrs. Champney's, your aunt, Mrs. Googe tells me."
"I was just going to ask you if you would be willing to tell us something about her," said Mrs. Googe. "I've not seen her, but from all I hear she is a most unusual child, most interesting—"
"Interesting, mother!" Champney interrupted her rather explosively; "she's unique, the only and ever Aileen Armagh." He turned again to Father Honoré. "Do tell us about her; I've been so blockheaded I couldn't put two and two together, but I'm beginning to see daylight at last. I made her acquaintance this afternoon. That's why I was a little late, mother."
How we tell, even the best of us, with reserves! Father Honoré told of his interest being roused, as well as his suspicions, by the wording of the poster, and of his determination to see for himself to what extent the child was being exploited. But of the thought-lever, the "Little Trout", that raised that interest, he made no mention; nor, indeed, was it necessary.
"You see there is a class of foreigners on the East side that receive commissions for exploiting precocious children on the stage; they are very clever in evading the law. The children themselves are helpless. I had looked up a good many cases before this because it was in my line of work, and in this particular one I found that the child had been orphaned in Ireland almost from her birth; that an aunt, without relatives, had emigrated with her only a few months before I saw her on the stage, and the two had lived in an east side tenement with an old Italian. The child's aunt, a young woman about twenty-eight, developed quick consumption during the winter and died in the care of the Italian, Nonna Lisa they call her. This woman cared for the little girl, and began to take her out with her early in March on the avenues and streets of the upper west side. The old woman is an itinerant musician and plays the guitar with real feeling—I've heard her—and, by the way, makes a decent little living of her own. She found that Aileen had a good voice and could sing several Irish songs. She learned the accompaniments, and the two led, so far as I can discover, a delightful life of vagabondage for several weeks. It seems the old Italian has a grandson, Luigi, who sings in vaudeville with a travelling troop. He was in the west and south during the entire time that Aileen was with his grandmother; and through her letters he learned of the little girl's voice. He spoke of this to his manager, and he communicated with the manager of a Broadway vaudeville—they are both in the vaudeville trust—and asked him to engage her, and retain her for the troop when they should start on their annual autumn tour. But Nonna Lisa was shrewd.—It's wonderful, Mrs. Googe, how quickly they develop the sixth sense of cautious speculation after landing! She made a contract for six weeks only, hoping to raise her price in the autumn. So I found that the child was not being exploited, except legitimately, by the old Italian who was caring for her and guarding her from all contamination. But, of course, that could not go on, and I had the little girl placed in the orphan asylum on ----nd Street—" He interrupted himself to say half apologetically:
"I am prolix, I fear, but I am hoping you will be personally interested in this child whose future life will, I trust, be spent here far away from the metropolitan snares. I am sure she is worth your interest."