“The box has always been there, my dear.”
Long existence proved always the sacredness of a law to Miss Camilla. She was a conservative to the bone.
The arbor where the two sat that afternoon was of the kind one sees in old prints where lovers sit in chaste embrace under a green arch of eglantine. However, in Miss Camilla's arbor were no lovers, and instead of eglantine were a honeysuckle and a climbing rose. The rose was not yet in bloom, and the honeysuckle's red trumpets were not blown—their parts in the symphony of the spring were farther on; over the arbor there was only a delicate prickling of new leaves, which cast a lace-like shadow underneath. A bench ran around the three closed sides of the arbor, and upon the bench sat Lucina and her aunt Camilla, in her spread of lilac flounces. Camilla held in her lap a little portfolio of papier-mâché, and wrote with a little gold pencil on sheets of gilt-edged paper. Camilla always wrote when she sat in the arbor, but nobody ever knew what. She always carried the finely written sheets into the house, and nobody knew where she put them afterwards. Camilla's long, thin fingers, smooth and white as ivory, sparkled dully with old rings. Some large amethysts in fine gold settings she wore, one great yellow pearl, a mourning-ring of hair in a circlet of pearls for tears, and some diamond bands in silver, which gave out cold white lights only as her hands moved across the gilt-edged paper.
As for Lucina, she had set up her doll primly in a corner of the arbor, and was knitting her stent. It might have seemed difficult to understand what the child found to enjoy in this quiet entertainment, but in childhood all situations which appeal to the imagination give enjoyment, and most situations which break the routine of daily life do so appeal. Then, too, Camilla's quiet persistence in her own employment gave a delightful sense of equality and dignity to the child. She would not have liked it half as well had her aunt stooped to entertain her and brought out toys and games for her amusement. However, there was entertainment to come, to which she looked forward with gratification, as that placed her firmly on the footing of an honored guest. The minister's daughter or the doctor's wife could not be treated better or with more courtesy.
Aunt Camilla wrote with pensive pauses of reflection, and Lucina knitted until her stent was finished. Then she folded up the garter neatly, quilted in the needles as she had been taught, and placed it in her little bag. Then she took up her doll protectingly and soothingly, and held her in her lap, with the great china head against her small bosom. Lucina's doll was very large, and finely attired in stiff book-muslin and pink ribbons. She wore also pink morocco shoes on her feet, which stood out strangely at sharp right angles. Lucina sometimes eyed her doll-baby's feet uncomfortably. “I guess she will outgrow it,” she told herself, with innocent maternal hypocrisy early developed.
When Lucina laid aside her work and began nursing her doll her aunt looked up from her writing. “Are you enjoying yourself, dear?” she inquired.
“Yes, ma'am.”
“Would you like to run about the garden?”
“No, thank you, ma'am; I will sit here and hold my doll. It is time for her nap. I will hold her till she goes to sleep.”
“Then you can run about a little,” suggested Miss Camilla, gravely, without a smile. She respected Lucina's doll, as she might have her baby, and the child's heart leaped up with gratitude. An older soul which needs not to make believe to re-enter childhood is a true comrade for a child.