“Then,” said Jane, “you are going home with me.”
“I cannot consent to accept charity, Jane,” said Viola. “Don't ask me.”
Then, for the first time in her life, Viola Longstreet saw Jane Carew's eyes blaze with anger. “You dare to call it charity coming from me to you?” she said, and Viola gave in.
When Jane saw the little room where Viola lived, she marveled, with the exceedingly great marveling of a woman to whom love of a man has never come, at a woman who could give so much and with no return.
Little enough to pack had Viola. Jane understood with a shudder of horror that it was almost destitution, not poverty, to which her old friend was reduced.
“You shall have that northeast room which you always liked,” she told Viola when they were on the train.
“The one with the old-fashioned peacock paper, and the pine-tree growing close to one window?” said Viola, happily.
Jane and Viola settled down to life together, and Viola, despite the tragedy which she had known, realized a peace and happiness beyond her imagination. In reality, although she still looked so youthful, she was old enough to enjoy the pleasures of later life. Enjoy them she did to the utmost. She and Jane made calls together, entertained friends at small and stately dinners, and gave little teas. They drove about in the old Carew carriage. Viola had some new clothes. She played very well on Jane's old piano. She embroidered, she gardened. She lived the sweet, placid life of an older lady in a little village, and loved it. She never mentioned Harold Lind.
Not among the vicious of the earth was poor Harold Lind; rather among those of such beauty and charm that the earth spoils them, making them, in their own estimation, free guests at all its tables of bounty. Moreover, the young man had, deeply rooted in his character, the traits of a mischievous child, rejoicing in his mischief more from a sense of humor so keen that it verged on cruelty than from any intention to harm others. Over that affair of the amethyst comb, for instance, his irresponsible, selfish, childish soul had fairly reveled in glee. He had not been fond of Viola, but he liked her fondness for himself. He had made sport of her, but only for his own entertainment—never for the entertainment of others. He was a beautiful creature, seeking out paths of pleasure and folly for himself alone, which ended as do all paths of earthly pleasure and folly. Harold had admired Viola, but from the same point of view as Jane Carew's. Viola had, when she looked her youngest and best, always seemed so old as to be venerable to him. He had at times compunctions, as if he were making a jest of his grandmother. Viola never knew the truth about the amethyst comb. He had considered that one of the best frolics of his life. He had simply purloined it and presented it to Viola, and merrily left matters to settle themselves.
Viola and Jane had lived together a month before the comb was mentioned. Then one day Viola was in Jane's room and the jewel-case was out, and she began examining its contents. When she found the amethyst comb she gave a little cry. Jane, who had been seated at her desk and had not seen what was going on, turned around.