The Jamesons

by Mary Eleanor Wilkins Freeman

“I think that Mrs. Simeon White has a swell-front bureau and an old looking-glass which will do very well for one of the chambers,” she went on to say, “and Miss Clark has a mahogany table.” Mrs. Jameson went on calmly enumerating articles of old-fashioned furniture which she had seen in our village houses which she considered suitable to be used in the Shaw house for the centennial.

“I don't see how Emily Shaw is going to live there while all this is going on,” remarked Louisa in her usual deprecatory tone when addressing Mrs. Jameson.

“I think we may be able to leave her one room,” said Mrs. Jameson; and Louisa and I fairly gasped when we reflected that Emily Shaw had not yet heard a word of the plan.

“I don't know but Emily Shaw will put up with it, for she is pretty meek,” said Louisa when Mrs. Jameson had gone hurrying down the street to impart her scheme to others; “but it is lucky for Mrs. Jameson that Flora Clark hasn't the oldest house in town.”

I said I doubted if Flora would even consent to let her furniture be displayed in the centennial; but she did. Everybody consented to everything. I don't know whether Mrs. H. Boardman Jameson had really any hypnotic influence over us, or whether we had a desire for the celebration, but the whole village marshalled and marched to her orders with the greatest docility. All our cherished pieces of old furniture were loaded into carts and conveyed to the old Shaw house.

The centennial was to be held the tenth day of August, and there was necessarily quick work. The whole village was in an uproar; none of us who had old-fashioned possessions fairly knew where we were living, so many of them were in the Shaw house; we were short of dishes and bureau drawers, and counterpanes and curtains. Mrs. Jameson never asked for any of these things; she simply took them as by right of war, and nobody gainsaid her, not even Flora Clark. However, poor Emily Shaw was the one who displayed the greatest meekness under provocation. The whole affair must have seemed revolutionary to her. She was a quiet, delicate little woman, no longer young. She did not go out much, not even to the sewing circle or the literary society, and seemed as fond of her home as an animal of its shell—as if it were a part of her. Old as her house was, she had it fitted up in a modern, and, to our village ideas, a very pretty fashion. Emily was quite well-to-do. There were nice tapestry carpets on all the downstairs floors, lace curtains at the windows, and furniture covered with red velvet in the parlor. She had also had the old fireplaces covered up and marble slabs set. There was handsome carved black walnut furniture in the chambers; and taken altogether, the old Shaw house was regarded as one of the best furnished in the village. Mrs. Sim White said she didn't know as she wondered that Emily didn't like to go away from such nice things.

Now every one of these nice things was hustled out of sight to make room for the pieces of old-fashioned furniture. The tapestry carpets were taken up and stowed away in the garrets, the lace curtains were pulled down. In their stead were the old sanded bare floors and curtains of homespun linen trimmed with hand-knitted lace. Emily's nice Marseilles counterpanes were laid aside for the old blue-and-white ones which our grandmothers spun and wove, and her fine oil paintings gave way to old engravings of Webster death-bed scenes and portraits of the Presidents, and samplers. Emily was left one room to herself—a little back chamber over the kitchen—and she took her meals at Flora Clark's, next door. She was obliged to do that, for her kitchen range had been taken down, and there was only the old fireplace furnished with kettles and crane to cook in.

“I suppose my forefathers used to get all their meals there,” said poor Emily Shaw, who has at all times a gentle, sad way of speaking, and then seemed on the verge of uncomplaining tears, “but I don't quite feel competent to undertake it now. It looks to me as if the kettles might be hard to lift.” Emily glanced at her hands and wrists as she spoke. Emily's hands and arms are very small and bony, as she is in her general construction, though she is tall.

The little chamber which she inhabited during the preparation for the centennial was very hot in those midsummer days, and her face was always suffused with a damp pink when she came out of it; but she uttered no word of complaint, not even when they took down her marble slabs and exposed the yawning mouths of the old fireplaces again. All she said was once in a deprecatory whisper to me, to the effect that she was a little sorry to have strangers see her house looking so, but she supposed it was interesting.

We expected a number of strangers. Mrs. Sim White's brother, who had gone to Boston when he was a young man and turned out so smart, being the head of a large dry-goods firm, was coming, and was to make a speech; and Mr. Elijah M. Mills, whose mother's people came from Linnville, was to be there, as having a hereditary interest in the village. Of course, everybody knows Elijah M. Mills. He was to make a speech. Mrs. Lucy Beers Wright, whose aunt on her father's side, Miss Jane Beers, used to live in Linnville before she died, was to come and read some selections from her own works. Mrs. Lucy Beers Wright writes quite celebrated stories, and reads them almost better than she writes them. She has enormous prices, too, but she promised to come to the centennial and read for nothing; she used to visit her aunt in Linnville when she was a girl, and wrote that she had a sincere love for the dear old place. Mrs. Jameson said that we were very fortunate to get her.