“Yes, it is really beautiful,” agreed Ellen, looking at it with eyes which had changed very little from their childish outlook. Again she saw more than she saw. The window differed materially from that before which she had stood fascinated so many years ago, for that was in a different season. Instead of frozen game and winter vegetables, were the products of summer gardens, and fruits, and berries. The color scheme was dazzling with great heaps of tomatoes, and long, emerald ears of corn, and baskets of apples, and gold crooks of summer squashes, and speckled pods of beans.
“Suppose,” said Robert, as they walked on, “that all the market-men who had artistic tastes had art educations and set up studios and painted pictures, who would keep the markets?”
He spoke gayly. His manner that night was younger and merrier than Ellen had ever seen it. She was naturally rather grave herself. What she had seen of life had rather disposed her to a hush of respect than to hilarity, but somehow his mood began to infect her.
“I don't know,” she answered, laughing, “I suppose somebody would keep the markets.”
“Yes, but they would not be as good markets. That is, they would not do as artistic markets, and they would not serve the higher purpose of catering to the artistic taste of man, as well as to his bodily needs.”
“Perhaps a picture like that is just as well and better than it would be painted and hung on a wall,” Ellen admitted, reflectively.
“Just so—why is it not?” Robert said, in a pleased voice.
“Yes, I think it is,” said Ellen. “I do think it is better, because everybody can see it there. Ever so many people will see it there who would not go to picture-galleries to see it, and then—”
“And then it may go far to dignify their daily needs,” said Robert. “For instance, a poor man about to buy his to-morrow's dinner may feel his soul take a little fly above the prices of turnips and cabbages.”
“Maybe,” said Ellen, but doubtfully.