The Shoulders of Atlas: A Novel

by Mary Eleanor Wilkins Freeman

Lucinda Hart kept the hotel. She had succeeded to its proprietorship when her father died. She was a middle-aged woman who had been pretty in a tense, nervous fashion. Now the prettiness had disappeared under the strain of her daily life. It was a hard struggle to keep the East Westland House and make both ends meet. She had very few regular boarders, and transients were not as numerous as they had been in the days of the stage-coaches. Now commercial travellers and business men went to Alford overnight instead of remaining at East Westland. Miss Hart used the same feather-beds which had once been esteemed so luxurious. She kept them clean, well aired, and shaken, and she would not have a spring-bed or a hair mattress in the house. She was conservatism itself. She could no more change and be correct to her own understanding than the multiplication table.

“Feather-beds are good enough for anybody who stays in this hotel, I don't care who it is,” she said. She would not make an exception, even for Miss Eliza Farrel, the assistant teacher in the high school, although she had, with a distrust of the teacher's personality, a great respect for her position. She was inexorable even when the teacher proposed furnishing a spring-bed and mattress at her own expense. “I'd be willing to accommodate, and buy them myself, but it is a bad example,” she said, firmly. “Things that were good enough for our fathers and mothers are good enough for us. Good land! people ain't any different from what they used to be. We haven't any different flesh nor any different bones.”

Miss Hart had a theory that many of the modern diseases might be traced directly to the eschewing of feather-beds. “Never heard of appendicitis in my father's time, when folks slept on good, soft feather-beds, and got their bones and in'ards rested,” she said.

Miss Hart was as timid in her way as Albion Bennet. She never got enough control of her nervous fears to secure many hours of sound sleep. She never was able to wholly rid herself of the conviction that her own wakefulness and watchfulness was essential to the right running of all the wheels of the universe, although she would have been shocked had she fairly known her own attitude. She patrolled the house by night, moving about the low, uneven corridors with a flickering candle—for she was afraid to carry a kerosene lamp—like a wandering spirit.

She was suspicious, too. She never lodged a stranger overnight but she had grave doubts of his moral status. She imagined him a murderer escaped from justice, and compared his face with the pictures of criminals in the newspapers, or she was reasonably sure that he was dishonest, although she had little to tempt him. She employed one chambermaid and a stable-boy, and did the cooking herself. Miss Hart was not a good cook. She used her thin, tense hands too quickly. She was prone to over-measures of saleratus, to under-measures of sugar and coffee. She erred both from economy and from the haste which makes waste. Miss Eliza Farrel often turned from the scanty, poorly cooked food which was place before her with disgust, but she never seemed to lose an ounce of her firm, fair flesh, nor a shade of her sweet color.

Miss Eliza Farrel was an anomaly. She was so beautiful that her beauty detracted from her charm for both sexes. It was so perfect as to awaken suspicion in a world where nothing is perfect from the hand of nature. Then, too, she was manifestly, in spite of her beauty, not in the first flush of youth, and had, it seemed, no right to such perfection of body. Also her beauty was of a type which people invariably associate with things which are undesirable to the rigidly particular, and East Westland was largely inhabited by the rigidly particular.

East Westland was not ignorant. It read of the crimes and follies of the times, but it read of them with a distinct and complacent sense of superiority. It was as if East Westland said: “It is desirable to read of these things, of these doings among the vicious and the worldly, that we may understand what we are.” East Westland looked upon itself in its day and generation as a lot among the cities of the plain.

It seemed inconceivable that East Westland people should have recognized the fact that Miss Farrel's beauty was of a suspicious type, but they must have had an instinctive knowledge of it. From the moment that Miss Farrel appeared in the village, although she had the best of references, not a woman would admit her into her house as a boarder, and the hotel, with its feather-beds and poor table, was her only resource. Women said of her that she was made up, that no woman of her age ever looked as she did and had a perfectly irreproachable moral character.

As for the men, they admired her timidly, sheepishly, and also a trifle contemptuously. They did not admit openly the same opinion as the women with regard to the legitimacy of her charms, but they did maintain it secretly. It did not seem possible to many of them that a woman could look just as Eliza Farrel did and be altogether natural. As for her character, they also agreed with the feminine element secretly, although they openly declared the women were jealous of such beauty. It did not seem that such a type could be anything except a dangerous one.

Miss Eliza Farrel was a pure blonde, as blond as a baby. There was not a line nor blemish in her pure, fine skin. The flush on her rounded cheeks and her full lips was like a baby's. Her dimples were like a baby's. Her blond hair was thick and soft with a pristine softness and thickness which is always associated with the hair of a child. Her eyebrows were pencilled by nature, as if nature had been art. Her smile was as fixedly radiant as a painted cherub's. Her figure had that exuberance and slenderness at various portions which no woman really believes in. She looked like a beautiful doll, with an unvarying loveliness of manner and disposition under all vicissitudes of life, but she was undoubtedly something more than a doll.