Besides his youthful and Lake Ontario experiences with Indians, Cooper followed parties of them from Albany to New York, and several times to Washington, for the purpose of closely studying their natures and habits; all authorities in print were consulted. On his return home the book was begun and rapidly written. "Planned beneath the summer leaves, on the
far shore of picturesque Hell Gate, above smiling fields and bowering orchards of his Angevine home, those leaves had scarcely fallen when the story was told—'the most uniformly exciting and powerful of his fictions'—'The Last of the Mohicans,' and Natty and Chingachgook were left in the wilderness beside the rude grave of Uncas." Again they came into the shadow of the unbroken forest, as called for by the one friend he now constantly consulted,—his faithful, loving life-mate. At the time of its writing Cooper had a serious illness, during which his mind was filled with ideas for this book. Suddenly rousing himself one of these autumn afternoons, he called for pen and paper, but too ill to use them, asked Mrs. Cooper, watching
anxiously by his side, to write for him. Fearing delirium, she wrote, thinking it would relieve him. A page of notes was rapidly dictated, which seemed to his alarmed nurse but the wild fancies of a fevered brain. It proved to be a clear account of a lively struggle between "Magua" and "Chingachgook," and made the twelfth chapter of the book. Why the author called Lake George by another name is thus explained: "Looking over an ancient map, he found that a tribe of Indians the French called Les Honcans lived by this beautiful sheet of water, and thinking the English name too commonplace and the Indian name too hard to pronounce, he chose the 'Horican' as better suiting simple Natty." This book, "The Last of
the Mohicans," proved, perhaps, to be the most popular of all his works up to 1826.
A present-day man-of-letters writes of Cooper: "He paints Indians and Indian scenes with a glow of our sunset skies and the crimson of our autumn maples, and makes them alive with brilliant color. Rifles crack, tomahawks gleam, and arrows dart like sunbeams through the air. Indians fleet of foot and full of graceful movement are these dusky Apollo's Uncas. Cooper's readers never yawn over these tales of the forest or the sea. He is the swan on the lake, the eagle in the air, the deer in the wood, and the wind on the sea." So writes Prof. Brander Matthews. That life-student of the American Indian, Francis Parkman, wrote: "It is easy to find fault with 'The Last of the Mohicans,' but it is far from easy to rival or even approach its excellence." It is said that "Magua," of this book, "is the best-drawn Indian in fiction; from scalp-lock to moccasin tingling with life" and the tension of the canoe-chase on the Horican.