It was thrown open for three days to all who could produce a black paper chrysanthemum with five leaves, red, yellow, blue, black, and white, fastened to a tab of white paper with a mourning edge and an inscription in Chinese characters. The foreigners had theirs from their Legations, and the Chinese from their guilds. And those Chinese—there are many of them—who are so unlucky as to belong to no guild, Chinese of the humbler sort, were shut out, and for them there was erected on the great marble bridge in front of the southern entrance, a pavilion of gorgeous orange silk enclosing an altar with offerings that stood before a picture of the dead Empress, so that all might pay their respects.
I pinned my badge to the front of my fur coat, for it was keen and cold in spite of the brilliant sunshine, and went off to the wrong entrance, the eastern gate, where only princes and notables were admitted. I thought it strange there should be no sign of a foreigner, but foreigners in Peking can be but as one in a hundred or less, so undismayed, I walked straight up to the gate, and immediately a row of palace servants clad in their white robes of mourning, clustered before the sacred place. They talked and explained vehemently, and with perfect courtesy, but they were very agitated, and though I could not understand one word they said, one thing was certain, admitted I could not be there. So I turned to the southern gate and there it seemed all Peking was streaming. It was like China that we might not go in the direct way.
There is a great paved way through the Imperial City alongside a canal that runs between marble-lined banks, but on the principal bridge that crosses it was erected the orange silk pavilion for the poorer classes, and we, the wearers of the black chrysanthemum, hundreds and thousands and ten thousands of us, had to turn off to the right and go along by the tall, pinkish red walls till we came to the great archways in the walls, five great archways filled in with doors studded with great brazen knobs. Usually they were fast shut, but they were open to-day, guarded by soldiers in full-marching order, soldiers of the New Republic in modern khaki looking out of the picture, and there streamed into the tunnellike entrance as curious a crowd as ever I set eyes upon. All must walk, old and young, great and lowly, representatives of the mighty nations of the world and tottering Chinese ladies swaying like “lilies in the wind” upon their maimed feet, only one man, a Mongol Prince, an Incarnation of a Buddha, a living Buddha, was borne in in a sedan chair. But every other mortal had to walk. The tunnels must always be gloomy, and, even on that cold day, they struck chill after the brilliant sunlight, and they are long, for the walls, just here, are about ninety feet through, so might the entrances have been in the palace of Ahasuerus the King. The courtyard we first entered had a causeway running right across it of great hewn stones, hewn and laid by slave labour, when all men bowed before the Son of Heaven, hundreds of years ago. They are worn in many places now, worn by the passing of many feet, and still more worn are the grey Chinese bricks that pave the courtyard on either side. It is a great courtyard of splendid proportions. In front of us frowned more high walls of pinkish red, topped by the buildings that can be seen all over Peking, temples or halls of audience with golden-brown tiled roofs that gleamed in the sunlight, and on either side were low buildings with fronts of lattice-work rather fallen into disrepair. They might have been used as guard-houses or, more probably, were the quarters of the six thousand or so of eunuchs that the dignity of the ruler required to attend upon him. There were a few trees, leafless then in March, but there was nothing to spoil the dignity and repose of every line. A great mind surely conceived this entrance, and great must have been the minds that kept it so severely simple. If it be the heart of a nation then do I understand. The people who streamed along the causeway, who roamed over the worn brick pavement, had, as a rule, delicate, finely formed hands though they were but humble craftsmen. If the hands of the poorest be so fine, is it any wonder that the picked men of such a people, their very heart, conceived such a mighty pile? There were more, longer and gloomier tunnels, admitting to a still greater courtyard, a courtyard that must be at least a quarter of a mile across, with the same causeway of worn stones that cry out the tale of the sufferings of the forgotten slaves, who hewed them and dragged them into place, the same grey pavement of bricks, the same tall smooth red walls, crowned over the gateway with temples, rising one story after another till the tiled roof cuts the sky. And through a third set of tunnels we came into a third courtyard, the courtyard where the obsequies were being held. The third courtyard was spacious as Trafalgar Square, and round three sides was a wide raised platform of stone reached by broad and easy ramps, and all across it ran a canal held in by marble banks, crossed by graceful bridges, and every one of the uprights, made of white marble, was crowned by a figure that I took for the representation of a flame; but those, who know, tell me it is meant to represent a cloud, and is part of the dragon symbolism. When marble is the medium by which so light a thing as a cloud is represented it must be very finely done indeed, when one outside the national thought, such as I, sees in that representation a flame. Two colossal bronze monsters with grinning countenances and curly manes, conventional lions, mounted on dragon-carved pedestals, stand before the entrance to the fourth temple or hall of audience, and here was what the crowd had come to see, the lighthearted, cheerful, merry crowd, that were making high holiday, here was the altar to the dead.
Overhead were the tiled roofs, and of all the colours of the rainbow surely none could have been chosen better than the golden brown of those tiles to harmonise with the clear blue of the glorious sky above it, no line to cut it could have been so appropriate as the gentle sweep of the curve of a Chinese roof. There was a little grass growing on the roofs, sere and withered, but a faint breeze just stirred its tops, and it toned with the prevailing golden brown in one glorious beauty. Where else in the world could one get such an effect? Only in Australia have I seen such a sky, and there it was never wedded to such a glow of colour as that it looks down upon in Peking. The men who built this palace in a bygone age, built broadly, truly, for all time.
And then, it was surely as if some envious spirit had entered in and marred all this loveliness—no, that would be impossible, but struck a discordant and jarring note that should perhaps emphasise in our minds the beauty that is eternal—for all the front of that temple, which as far as I could see was pinkish red, with under the eaves that beautiful dark blue, light blue, and green, that the Chinese know so well how to mingle, was covered with the most garish, commonplace decorations, made for the most part of paper, red, violent Reckitt's blue, yellow, and white. From every point of vantage ran strings of flags, cheap common little flags of all nations, bits of string were tied to the marble clouds, and they fluttered from them, and the great wonderful bronze lions contrived to look coy in frills that would not have disgraced a Yorkshire ham. The altar on the northern platform was hidden behind a trellis-work of gaily coloured paper, and there were offerings upon it of fruit and cakes in great profusion, all set out before a portrait of the late Empress. On either side were two choirs of priests, Buddhists and Taoists in gorgeous robes of red and orange. What faith the dead Empress held I do not know, but the average Chinese, while he is the prince of materialists, believing nothing he cannot see and explain, has also a keen eye to the main chance, and on his death-bed is apt to summon priests of all faiths so as to let no chance of a comfortable future slip; but possibly it was more from motives of policy than from any idea of aiding the dead woman that these representatives of the two great faiths of China were summoned. On the rights behind a trellis-work of bright paper, one choir sat in a circle, beat gongs, struck their bells and intoned; and on the left, behind a like trellis-work, the other choir knelt before low desks and also solemnly intoned. Their Mongolian faces were very impassive, they looked neither to the right nor the left, but kept time to the ceaseless beat of their leader's stick upon a globe of wood split across the middle like a gaping mouth emblematical of a fish and called mu yii—or wooden fish. What were they repeating? Prayers for the dead? Eulogies on her who had passed? Or comfort for the living? Not one of these things. Probably they were intoning Scriptures in Tibetan, an unknown tongue to them very likely, but come down to them through the ages and sanctified by thousands of ceaseless repetitions.
And the people came, passed up the steps, bowed by the direction of the usher—in European clothes—three times to the dead Empress's portrait, and the altar, were thanked by General Chang, the Military Commandant, and passed on by the brightly clad intoning priests down into the crowd in the great courtyard again. It was weird to find myself taking part in such a ceremony. Stranger still to watch the people who went up and down those steps. In all the world surely never was such an extraordinary funeral gathering. I am very sure that never shall I attend such another. There was such a mingling of the ancient and the blatantly modern. To the sound of weird, archaic, Eastern music the living Buddha, clad all in yellow, in his yellow sedan chair, borne by four bearers in dark blue with Tartar caps on their heads, made his reverence, and was followed by a band of Chinese children from some American mission school, who, with misguided zeal sang fervently at the top of their shrill childish voices “Down by the Swanee River” and “Auld Lang Syne,” and then soldiers in modern uniform of khaki or bright blue were followed by police officers in black and gold. The wrong note was struck by the “Swanee River,” the high officials dwelt upon it, for the Chinese does not look to advantage in these garbs, he looks what he is makeshift, a bad imitation, and the jarring was only relieved when the Manchu princes came in white mourning sheepskins and black Tartar caps. They may be dissolute and decadent, have all the vices that new China accuses them of, but at least they looked polished and dignified gentlemen, at their ease and in their place. It does not matter, possibly. The President once said that to petition for a monarchy was an act of fanaticism worthy of being punished by imprisonment, and so the old order must in a measure pass; even in China, the unchanging, there must come, it is a law of nature, some little change, and when I looked at the bows and arrows of the Manchu guard leaning against the wall I realised that it would be impossible to keep things as they were, however picturesque. Still khaki uniforms, if utilitarian, are ugly, and American folk-songs, under such conditions, struck the last note in bathos, or pathos. It depends on the point of view.
On the white paper tabs, attached to our black chrysanthemums, was written something about the New Republic, but it might have been the spirit of the Empress at home, so cheerful and bent on enjoyment was the crowd which thronged the courtyard. The bands played, sometimes Eastern music, strange and haunting, sometimes airs from the European operas, there were various tents erected with seats and tables, and refreshments were served, oranges, and ginger, and tea, and cakes of all kinds, both in the tents and at little altar-like stands dotted about the courtyard even at the very foot of the pedestals of the great conventional lions. And the people walked round looking at everything, peeping through every crevice in the hopes of seeing some part of the palace that was not open to them, chatting, laughing, greeting each other as they would have done at a garden-party in Europe. There were all sorts of people, dressed in all sorts of fashions. New China looked at best common-plage and ordinary in European clothes; old China was dignified in a queue, silken jacket and brocaded petticoat, generally of a lighter colour; Manchu ladies wore high head-dresses and brilliant silken coats, blue or pink, lavender or grey, and Chinese ladies tottered along on tiny, bound feet that reminded me of the hoofs of a deer, and the most fashionable, unmarried girls wore short coats with high collars covering their chins, and tight-fitting trousers, often of gaily coloured silk, while the older women added skirts, and the poorer classes just wore a long coat of cotton, generally blue, with trousers tightly girt in at the ankles, and their maimed feet in tiny little embroidered shoes. European dress the Chinese woman very seldom affects yet, and their jet black hair, plastered together with some sort of substance that makes it smooth and shiny, is never covered, but flowers and jewelled pins are stuck in it. Occasionally—I did on this day—you will see a woman with a black embroidered band round the front of her head, but this, I think, denotes that she is of the Roman Catholic faith, for the Roman Catholics have been in China far longer than any other Christian sect, and they invented this head-dress for the Chinese woman who for ages has been accustomed to wear none, because of the Pauline injunction, that it was a shame for a woman to appear in a church with her head uncovered. Old China did not approve of a woman going about much at all, and here at this funeral I heard many old China hands remarking how strange it was to see so many women mingling with the throng. It marked the change; but such a very short time back, such a thing would have been impossible.