Gone to Earth

by Mary Gladys Meredith Webb

In winter the yews and firs were like waving funeral plumes and mantled, headless goddesses; then the giant beeches would lash themselves to frenzy, and, stooping, would scourge the ice on Undern Pool and the cracked walls of the house, like beings drunken with the passion of cruelty. This was the second mood of Undern—brutality. Then those within were, it seemed, already in the grave, heavily covered with the prison of frost and snow, or shouted into silence by the wind. On a January night the house seemed to lie outside time and space; slow, ominous movement began beyond the blind windows, and the inflexible softness of snow, blurred on the vast background of night, buried summer ever deeper with invincible, caressing threats.

The front door was half glass, so that a wandering candle within could be seen from outside, and it looked inexpressibly forlorn, like a glow-worm seeking escape from a chloroform-box or mankind looking for the way to heaven. Only four windows were ever lit, and of these two at a time. They were Jack Reddin's parlour, Andrew Vessons' kitchen, and their respective bedrooms.

Reddin of Undern cared as little for the graciousness of life as he did for its pitiful rhapsodies, its purple-mantled tragedies. He had no time for such trivialities. Fox-hunting, horse-breeding, and kennel lore were his vocation. He rode straight, lived hard, exercised such creative faculties as he had on his work, and found it very good. Three times a year he stated in the Undern pew at Wolfbatch that he intended to continue leading a godly, righteous, and sober life. At these times, with amber lights from the windows playing over his well-shaped head, his rather heavy face looked, as the Miss Clombers from Wolfbatch Hall said, 'so chivalrous, so uplifted.' The Miss Clombers purred when they talked, like cats with a mouse. The younger still hunted, painfully compressing an overfed body into a riding-habit of some forgotten cut, and riding with so grim a mouth and such a bloodthirsty expression that she might have had a blood-feud with all foxes. Perhaps, when she rode down the anxious red-brown streak, she thought she was riding down a cruel fate that had somehow left her life vacant of joy; perhaps, when the little creature was torn piece-meal, she imagined herself tearing so the frail unconquerable powers of love and beauty. Anyway, she never missed a meet, and she and her sister never ceased their long silent battle for Reddin, who remained as unconscious of them as if they were his aunts. He was, of course, beneath them, very much beneath them—hardly more than a farmer, but still—a man.

Reddin went on his dubious and discreditable way, and the woman Sally Haggard, of the cottage in the hollow, gained by virtue of a certain harsh beauty what the ladies Clomber would have given all their wealth for.

The other inhabitant of Undern, Andrew, revolved in his own orbit, and was entirely unknown to his master. He cut the yews—the peacocks and the clipped round trees and the ones like tables—twice a year. He was creating a swan. He had spent twenty years on it, and hoped to complete it in a few more, when the twigs that were to be the beak had grown sufficiently. It never occurred to him that the place was not his, that he might have to leave it. He had his spring work and his autumn work; in the winter he ordained various small indoor jobs for himself; and in the summer, in common with the rest of the place, he grew somnolent. He sat by the hacked and stained kitchen-table (which he seldom scrubbed, and on which he tried his knife, sawed bones, and chopped meat) and slept the afternoons away in the ceaseless drone of flies.

When Reddin called him he rarely answered, and only deigned to go to him when he felt sure that his order was going to be reasonable.

Everything he said was non-committal, every movement was expostulatory. Reddin never noticed. Vessons suited his needs, and he always had such meals as he liked. Vessons was a bachelor. Monasticism had found, in a countryside teeming with sex, one silent but rabid disciple. If Vessons ever felt the irony of his own presence in a breeding stable, he never said so. He went about his work with tight disapproving lips, as if he thought that Nature owed him a debt of gratitude for his tolerance of her ways. Ruminative and critical, he went to and fro in the darkly lovely domain, with pig buckets or ash buckets or barrows full of manure. The lines of his face were always etched in dirt, and he always had a bit of rag tied round some cut or blister. He was a lonely soul, as he once said himself when unusually mellow at the Hunter's Arms; he was 'wi'out mother, wi'out father, wi'out descent.' He preferred it to the ties of family. He liked living with Reddin because they never spoke except of necessity, and because he was quite indifferent to Reddin's welfare and Reddin to his.

But to Undern itself he was not indifferent. Ties deep as the tangled roots of the bindweed, strong as the great hawsers of the beeches that reached below the mud of Undern Pool, held him to it, the bondslave of a beauty he could not understand, a terror he could not express. When he trudged the muddy paths, 'setting taters' or earthing up; when he scythed the lawn, looking, with a rose in his hat, weirder and more ridiculous than ever; and when he shook the apples down with a kind of sour humour, as if to say, 'There! that's what you trees get by having apples!'—at all these times he seemed less an individual than a blind force. For though his personality was strong, that of the place was stronger. Half out of the soil, minded like the dormouse and the beetle, he was, by virtue of his unspoken passion, the protoplasm of a poet.

Chapter 4

Vessons took up the pose of one seeing a new patient.