Quite as noticeable an element in French conversation is the attitude of the conversers to their subject. They never try to settle matters as if their decisions were the last court of appeal, and as if they must make frantic effort to carry their side of the question to victory. They discuss for the pleasure of discussing; not for the pleasure of vanquishing, nor even of convincing. They discuss, merely; they do not debate, nor do they enter into controversy.

One of the greatest conversational charms of the French is their amenity in leading talk. This grows out of a universal eagerness in France to take pains in conversation and to learn its unwritten behests. The uninitiated suspect little of the insight and care which matures even the natural conversational ability of a Madame de Staël or a Francisque Sarcey. The initiated know that the same principles which make the French prodigious conversationalists make them capable and charming hosts and hostesses. The talker who can follow in conversation knows how to lead, and vice versa. Without a leader or "moderator," as the admirable Scotch word has it, conversation is apt to become either tepid or demoralized; and often, for the want of proper and sophisticated leading, discussion that would otherwise be brilliant deteriorates into pandemonium. As paradoxical as it sounds on first thought, it is nevertheless true that thoroughly good conversation is impossible where there is too much talk. Some sort of order must be imperceptibly if not unconsciously maintained, or the sentences clash in general conversation. Leading conversation is the adroit speech which checks the refractory conversationalist and changes imperceptibly the subject when it is sufficiently threshed or grows over-heated; it is guiding the talk without palpable break into fresh fields of thought; it is the tact with which, unperceived, the too slow narration of a guest is hurried by such courteous interpolations as "So you got to the inn, and what then?" or, "Did the marriage take place after all?"; it is the art with which the skilful host or hostess sees that all are drawn into the conversational group; it is the watchfulness that sends the shuttle of talk in all directions instead of allowing it to rebound between a few; it is the interest with which a host or hostess solicits the opinions of guests, and develops whatever their answers may vaguely suggest; it is the care with which an accidentally interrupted speech of a guest is resuscitated; it is the consideration which puts one who arrives late in touch with the subject which was being discust just before his appearance. It is this concern for conversational cues which gives any host or hostess an almost unbounded power in social intercourse; for he is the best talker who can lead others to talk well.

It goes without saying that a people who have assimilated all the foregoing tenets of good conversation are never disjointed in their talk. Their consummate art of listening is responsible for their skill in following the logical trend of the discourse. This may be considered a national trait. In decent French society there are no abrupt transitions of thought in the different speeches. The speech of each speaker grows naturally out of what some one of his conversational partners has just been saying, or it is duly prefaced by an introductory sentence connecting it with a certain preceding speech. They know that, once embarked, no converser can tell where the give and take of talk will carry him; but they also know that this does not necessitate awkward and direct changes of subject. The weakness of inattention and of unconscious shunting in conversation is virtually unknown in good society in France.

Is it any wonder that in a country where conversation is considered an art capable of cultivation and having certain fixt principles, so many French women of humble birth, like Sophie Arnould and Julie Lespinasse, have earned their way to fame by their conversational powers? Is it any wonder that in France polite discussion is made the most exhilarating and delightful exercise in the world?

One reason there is so little acceptable conversational discussion is the indisposition of people in society to say what they think; their unwillingness to express their whole minds on any one subject. It is this element of unfettered expression or revelation which makes literature entertaining; why then withhold thought too cautiously from conversation? The habit of evasion is cowardly as well as unsocial; and nothing so augments conversation as being pleasantly downright; letting people know where to find you. The most preposterous views get respect if uttered intrepidly. Sincere speech is necessary to good conversation of any kind, and especially is it essential to discussion. One of the stupidest of conversational sins is quibbling—talking insincerely, just for the sake of using words, and shifting the point at issue to some incidental, subordinate argument on which the decision does not at all depend. It is the intellectually honest person who sparkles in discussion.

Another reason why discussion is waning is the disrespect we feel for great subjects. We only mention them, or hint at them; and this cannot lead to very brilliant talk. Tho prattle and persiflage have their place in conversation, talkers of the highest order tire of continually encouraging chit-chat. "What a piece of business; monstrous! I have not read it; impossible to get a box at the opera for another fortnight; how do you like my dress? It was immensely admired yesterday at the B——s; how badly your cravat is tied! Did you know that —— lost heavily by the crash of Thursday? That dear man's death gave me a good fit of crying; do you travel this summer? Is Blank really a man of genius? It is incomprehensible; they married only two years ago." This sort of nimble talk is all very well; but because one likes sillibub occasionally is no proof that one is willing to discard meat entirely. Conversational topics can be too trivial for recreation as well as too serious; and even important subjects can be handled in a light way if necessary. "Clever people are the best encyclopedias," said Goethe; and the great premier Gladstone was a charming man in society, though he never talked on any but serious subjects. He was noted for his ability to pump people dry without seeming in the least to probe. "True conversation is not content with thrust and parry, with mere sword-play of any kind, but should lay mind to mind and show the real lines of agreement and the real lines of divergence. Yet this is the very kind of conversation which seems to me so very rare." In order that a great subject shall be a good topic of conversation, it must provoke an enthusiasm of belief or disbelief; people must have decided opinions one way or the other. I believe with Stevenson that theology, of all subjects, is a suitable topic for conversational discussion, and for the reason he gives: that religion is the medium through which all the world considers life, and the dialect in which people express their judgments. Try to talk for any length of time with people to whom you must not mention creeds, morals, politics, or any other vital interest in life, and see how inane and fettered talk becomes.

The tranquil and yet spirited discussion of great subjects is the most stimulating of all talk. The thing to be desired is not the avoidance of discussion but the encouragement of it according to its unwritten codes and precepts. "The first condition of any conversation at all," says Professor Mahaffy of Dublin, "is that people should have their minds so far in sympathy that they are willing to talk upon the same subject, and to hear what each member of the company thinks about it. The higher condition which now comes before us is, that the speaker, apart from the matter of the conversation, feels an interest in his hearers as distinct persons, whose opinions and feelings he desires to know.... Sympathy, however, should not be excessive in quality, which makes it demonstrative. We have an excellent word which describes the over-sympathetic person, and marks the judgment of society, when we say that he or she is gushing. To be too sympathetic makes discussion, which implies difference of opinion, impossible." Those who try to discover how far conversation is advanced by sympathy and hindered by over-sympathy; those who attempt to detect to what extent wholesome discussion is degraded by acrid controversy, need not be afraid of vigorous intellectual buffeting. Discussion springs from human nature when it is under the influence of strong feeling, and is as much an ingredient of conversation as the vocalizing of sounds is a part of the effort of expressing thought.


CHAPTER III