The premature adolescence of the Filipino youth makes him very repellent to the American. One of the most frightful things which I ever saw was a play given in Spanish by children. The play itself was one which Americans would never have permitted children to read or to see, much less to present. The principal character was a debauched and feeble old man of the “Parisian Romance” type; it was played by a nine-year-old boy, who made the hit of the evening, and who reminded me, in his interpretation of the part, of Richard Mansfield. His family and friends were proud of his acting, which was masterly, and laughingly declared that his conception of the role was wholly his own. If so, there was no need of laughter and there was much cause for tears.

Here is a short essay written by a twelve-year-old boy, in response to an order to write a composition about what he had done the previous day.

“Yesterday I called upon all my young lady friends. None but the fathers appeared. We must all be judged according to our works.”

The child wrote this by constructing the first sentence himself, and by picking the other two out of phrase-books, which from some source or other are scattered all over the Philippine Islands. What he meant to convey in the carefully pieced mosaic was that he was a dangerous fellow, and that when he came around the fathers kept a close eye on their daughters. That is dubious wit in a man of thirty. In a child of twelve it is loathsome.

Engagements are usually announced at once and are seldom long—from three weeks to three or four months. If the marriage is really for love, as is not infrequently the case, the lovers must have a hard time of it; for they never see each other alone, and “spooning” before others would seem to them in the last degree scandalous. They have marvellous self-control. I have watched many a pair of Filipino lovers for the stolen glances, the shyness, the ever-present consciousness of each other which are characteristic of our lovers, and I have never beheld the faintest evidence of interest in any engaged or newly married couple. They manage to preserve an absolutely wooden appearance at a time when one would expect a race so volatile to display its emotions freely.

Elopements sometimes take place and are called the boda Americana, or American marriage. However, they have the advantage of us in one kind of elopement—that of the widow. Runaway marriages between widows and old bachelors are not a common feature of American life, but they seem to constitute the most frequent form of elopement here. Forced marriages occur in spite of the restrictions put around young girls. They cause a ten days’ hubbub, winks, nods, and much giggling behind fans. But no social punishment and ostracism of the girl follows as in our own country. So long as the marriage is accomplished, the Filipinos seem to feel that the fact of its being a little late need disturb no one. But if, as sometimes happens, a girl is led astray by a married man, then disgrace and punishment are her lot. I recall a circumstance where a young girl under a cloud left her native town, never to appear there again. But less than three months after her banishment, her seducer was an honored guest, sitting at the right hand of her brother, in the brother’s own house. Apparently the best of feeling prevailed over a matter that with us could never have been forgiven, though bloodshed might perhaps have been averted.

In my eight years in those Islands I have met among the upper classes but one young girl whose conduct offered reason to men to take her lightly. In a pretty, childish way, Filipino girls are coquettes, but they are not flirts. Their conception of marriage and of their duty to their own husbands and their children is a high and noble one. Nevertheless, with innately good and pure instincts, they cannot take half as good care of themselves as can the American girl who is more indiscreet, who knows much less of the matters pertaining to love and sex. The latter has an infinite advantage over her dusky sister in the prudery of speech which is the outwork in a line of fortifications in which a girl’s tenacity to her own ideal of chastity must be the final bulwark, A frankness of speech prevails in the Philippines with regard to matters about which we are frank under necessity, but which, as far as possible, we slide into the background. Stories are told in the presence of young girls, and jokes are interchanged, of more than questionable nature according to our standards. Our prudery of speech is the natural result of the liberty permitted to women. When the protection of an older woman or of a male relative is done away with, and a girl is permitted to go about quite unattended, the best and the surest protection that she can have is the kind of modesty that takes fright at even a bare mention, a bare allusion, to certain ordinarily ignored facts of life.

The result of general freedom of speech and the process of safeguarding a girl from its results is to make a Filipino girl regard her virtue as something foreign to herself, a property to be guarded by her relatives. If, through negligence or ignorance on the part of her proper guardians, she is exposed to temptation, she feels herself free from responsibility in succumbing. Such a view of life puts a young girl at a great disadvantage with men, especially with men so generally unscrupulous as Filipinos.

Among the lower classes there is no idea that a young girl can respect herself or take care of herself. Girls are watched like prisoners, and are never allowed to stray out of the sight of some old woman. It is almost impossible for an American woman to obtain a young girl to train as a servant, because, as they say, we do not watch them properly. This jealous watching of a child’s virtue is not, however, always inspired by the love of purity. Too frequently the motive is that the girl may bring a higher price when she reaches a marriageable age, or when she enters into one of those unsanctified alliances with some one who will support her. Filipino men are merciless in their attitude toward young lower-class girls, not hesitating to insult or annoy them in the most shameless way. I once forced a little maid of mine to wear the regular maid’s dress of black, with muslin cap and apron, and she was certainly a joy to the eye; but one day I sent her out on an errand, and she came back almost hysterical under the torrent of ribald admiration which my thoughtlessness had brought upon her. A seamstress will not remain alone in your house while you run into a neighbor’s on an errand without bolting herself in the room; and, if you are to be gone any length of time, she will not stay there at all, simply because she is afraid of your men servants—and justly so.

However, in respect to such matters, things are changing fast. The Filipinos who love us least, high or low, rich or poor, admit that the American idea of treating every self-respecting woman with respect is a good thing. They remark frequently the difference between now and former times, and say, with admiration, that a woman can go past the cuartels or the fire stations, without encountering insult in the form of galanteria; and the electric street-car line, suspected at first, has gained the confidence of nearly all. Many Filipino families of the upper class permit their daughters to go to and from the American schools on the trolley car, and it is no uncommon thing to see three or four youngsters, all under ten, climbing on and off with their books, asking for transfers, and enjoying their liberty, who ten years ago would have been huddled into a quilez and guarded by an elderly woman servant.