In Exile, and Other Stories

by Mary Hallock Foote

She kissed her mother's hand that rested on the window-sill. Rachel did not like the kiss, nor Dorothy's brilliant eyes and flushed cheeks, as the candle revealed them like a fair picture painted on the darkness. She hesitated, but Dorothy sped away up the lane with old John lagging at his halter.

Was it the music growing nearer that quickened her breathing, or only the closeness of the night shut in between the wild grapevine curtains swung from one dark cedar column to another? She caught the sweetbrier's breath as she hurried by, and now a loop in the leafy curtain revealed the pond, lying black in a hollow of the hills with a whole heaven of stars reflected in it. Old John stumbled along over the stones, cropping the grass as he went. Dorothy tugged at his halter and urged him on to the head of the lane, where two farm-gates stood at right angles. One of them was open and a number of horses were tethered in a row along the fence within. They whinnied a cheerful greeting to John as Dorothy slipped his halter and shut him into the field adjoining. Now should she walk into temptation with her eyes and ears open? The gate stood wide, with only one field of perfumed meadow-grass between her and the lights and music of Slocum's barn. The sound of revelry by night could hardly have taken a more innocent form than this rustic dancing of neighbors after a “raisin' bee,” but had it been the rout of Comus and his crew, and Dorothy the Lady Una trembling near, her heart could hardly have throbbed more quickly as she crossed the dewy meadow. A young maple stood within ten rods of the barn, and here she crouched in shadow.

The great doors stood wide open and lanterns were hung from the beams, lighting the space between the mows where a dance was set, with youths and maidens in two long rows. The fiddlers sat on barrel-heads near the door; a lantern hanging just behind projected their shadows across the square of light on the trodden space in front, where they executed a grotesque pantomime, keeping time to the music with spectral wavings and noddings. The dancers were Dorothy's young neighbors, whom she had known, and yet not known, all her life, but they had the strangeness of familiar faces seen suddenly in some fantastic dream.

Surely that was Nancy Slocum in the bright pink gown heading the line of girls, and that was Luke Jordan's sunburnt profile leaning from his place to pluck a straw from the mow behind him. They were marching, and the measured tramp of feet keeping solid time to the fiddles set a strange tumult vibrating in Dorothy's blood; and now it stopped, with a thrill, as she recognized that Evesham was there, marching with the young men, and that his peer was not among them. The perception of his difference came to her with a vivid shock. He was coming forward now with his light, firm step, formidable in evening dress and with a smile of subtle triumph in his eyes, to meet Nancy Slocum in the bright pink gown. Dorothy felt she hated pink of all the colors her faith had abjured. She could see, in spite of the obnoxious gown, that Nancy was very pretty. He was taking her first by the right hand, then by the left, and turning her gayly about; and now they were meeting again for the fourth or fifth time in the centre of the barn, with all eyes upon them, and the music lingered while Nancy, holding out her pink petticoats, coyly revolved around him. Then began a mysterious turning and clasping of hands, and weaving of Nancy's pink frock and Evesham's dark blue coat and white breeches in and out of the line of figures, until they met at the door, and, taking each other by both hands, swept with a joyous measure to the head of the barn. Dorothy gave a little choking sigh.

What a senseless whirl it was. She was thrilling with a new and strange excitement, too near the edge of pain to be long endured as a pleasure. If this were the influence of dancing she did not wonder so much at her father's scruples, and yet it held her like a spell.

All hands were lifted now, making an arch through which Evesham, holding Nancy by the hands, raced, stooping and laughing. As they emerged at the door, Evesham threw up his head to shake a brown lock back. He looked flushed and boyishly gay, and his hazel eye searched the darkness with that subtle ray of triumph in it which made Dorothy afraid. She drew back behind the tree and pressed her hot cheek to the cool, rough bark. She longed for the stillness of the starlit meadow, and the dim lane with its faint perfumes and whispering leaves.

But now suddenly the music stopped and the dance broke up in a tumult of voices. Dorothy stole backward in the shadow of the tree-trunk, until it joined the darkness of the meadow, and then fled, stumbling along with blinded eyes, the music still vibrating in her ears. Then came a quick rush of footsteps behind her, swishing through the long grass. She did not look back, but quickened her pace, struggling to reach the gate. Evesham was there before her. He had swung the gate to and was leaning with his back against it, laughing and panting.

“I've caught you, Dorothy, you little deceiver! You'll not get rid of me to-night with any of your tricks. I'm going to take you home to your mother and tell her you were peeping at the dancing.”

“Mother knows that I came; I asked her,” said Dorothy. Her knees were trembling and her heart almost choked her with its throbbing.

“I'm so glad you don't dance, Dorothy. This is much nicer than the barn, and the katydids are better fiddlers than old Darby and his son. I'll open the gate if you will put your hand in mine, so that I can be sure of you, you little runaway.”