“There should be an idyl or a legend belonging to it,” a pretty, dark-eyed girl with a Boston accent said to Kirkwood, one moonlight evening late in summer when the river was low, as they drifted softly down between its dim shores. “Poor little Bear River! did nothing human ever happen near you to give you a right to a prettier name?”
The river did not answer as it rippled over the bar, nor did Kirkwood speak for it; but the wood dove's melancholy tremolo came from the misty willows by the shore, and in some suddenly illumined place in his memory he saw Ruth Mary, sitting on the high bank in the peaceful afternoon, the sunshine resting on her smooth, fair hair, the shadow lending its softness to her shy, down-bent face.
The pity of it, when he thinks of it sometimes, seems to him more than he can bear. Yet if Ruth Mary had still been there at the ranch on the hills, she would have been, to him, only “that nice little girl of Tully's who married the one-eyed packer.”
THE RAPTURE OF HETTY.
The dance was set for Christmas night at Walling's, a horse-ranch where there were women, situated in a high, watered valley shut in by foothills, sixteen miles from the nearest town. The cabin with its roof of shakes, the sheds and corrals, can be seen from any divide between Packer's ferry and the Fayette.
The “boys” had been generally invited, with one exception to the usual company. The youngest of the sons of Basset, a pastoral and nomadic house, was socially under a cloud, on the charge of having been “too handy with the frying-pan brand.”
The charge could not be substantiated, but the boy's name had been roughly handled in those wide, loosely defined circles of the range where the force of private judgment makes up for the weakness of the law, in dealing with crimes that are difficult of detection and uncertain of punishment. He that has obliterated his neighbor's brand or misapplied his own, is held as, in the age of tribal government and ownership, was held the remover of his neighbor's landmarks. A word goes forth against him potent as the levitical curse, and all the people say amen.
As society's first public and pointed rejection of him the slight had rankled with the son of Basset, and grievously it wore on him that Hetty Rhodes was going, with the man who had been his earliest and most persistent accuser: Hetty, prettiest of all the bunch-grass belles, who never reproached nor quarreled, but judged people with her smile and let them go. He had not complained, though he had her promise,—one of her promises,—nor asked a hearing in his own defense. The sons of Basset were many and poor; their stock had dwindled upon the range; her men-folk condemned him, and Hetty believed, or seemed to believe, as the others.