Many Bohemian pieces showed an original decoration in the way of ornamentations in relief on the outside, while the art of cameo incrustation was also first used by Bohemian workers, who sometimes varied it to obtain odd and pleasing effects by engraving through an outer casing of colored glass into an interior of white, transparent, or enameled glass. One such specimen, a salt cellar, is shown in the Mitchell collection.
Plate LIX.—English Cut Class Decanter, about 1800; Typical Red Bohemian Glass Decanter; American Glass Bottle, Jenny Lind, about 1850.
Ruby coloring was a characteristic of many fine Bohemian pieces, and its acquirement was a source of despair to any number of workers, it being hard to hit on just the right combination to produce the desired shade. So important did this feature become that we learn of one Kunckel, an artist, being given sixteen hundred ducats by the elector of Brandenburg to assist in attaining perfection in this shade of coloring. The ware of this type was made in the last half of the seventeenth century, and specimens were the admiration of all beholders.
It is a ware that possesses a strange attraction. No other type of glass is more a favorite with collectors than this, and no other encourages the amateur to greater endeavor in its pursuit, no matter how discouraging it may be at first. Then, too, no matter how large the collection may be, it is never monotonous, for the various specimens show a great diversity of form and ornamentation.
The collection of Bohemian glass shown at the Mitchell house at Manchester, contains some wonderful examples of the art, including decanters with long and slender stems, odd salt cellars in frames of silver, bonbon dishes, and numerous other pieces, some in the rare ruby coloring, and others in white and gilt.
Plate LX.—Bohemian Glass. The center one is rare, showing figure of Peacock in Red and White; English Cut Glass Wineglasses, 1790; English Glass Decanters. Very fine and rare.