And so we might go on and on, singling out particularly good specimens here and there, but when all is said and done, it is undeniable that all old houses afford interesting study. Architects of the present are coming to appreciate their worth, and into many modern homes features of early construction are being incorporated. Naturally, to the antiquarian, nothing can ever take the place of these bygone specimens, and as he paces the main thoroughfares of historic cities, now lined with stores, he sees in fancy the stately homes with their fragrant garden plots, which modern demand has superseded. Pausing on the curbing near the old State House in Boston, what an array of bygone dwellings in fancy can be conjured, and how many of the old-time dignitaries can be recalled. So vivid is the picture that one might almost expect to see old Thomas Leverett saunter by, or perchance hear the rattle of wheels as the carriage of Dr. Elisha Cook lumbered on its way. It is a pleasant picture to contemplate, and the lover of the old breathes a sigh of regret at the passing of such picturesqueness.
CHAPTER II
COLONIAL DOORWAYS
No type of architecture to-day holds such a distinctive place in the minds of architects and home builders as does that of the colonial period. This is especially true concerning the porch or doorway, for this feature, affording as it does entrance to the home, called for most careful thought, that it might be made harmonious and artistic, and expressive of the sentiment which it embodies. The straight lines and ample dimensions which characterized it required skill to arrange properly, and, considering the limitations of the period in which it was constructed, the results obtained were remarkable.
These porches and doorways were designed at a time when our country was young, and the builders were not finished architects like the designers of to-day; but they were planned and built by men who were masters in their line, and who taxed their skill to the utmost that results might be artistic and varied, individualizing each home so that the entrance porch should express both hospitality and refinement.
In the holds of the cumbersome ships that plied between the new country and the motherland were placed as cargoes, pillars, columns, and bits of shaped wood, all to be used in the construction of the new home, and incidentally in the porch. It was no easy task to devise from these fragments a complete and artistic whole, and to the ingenuity of the builders great credit is due.
In contour and construction, these porches differ greatly. Those found in New England depict a stateliness that savors of Puritanical influence, while those in the South convey, through their breadth, an impression of the cordiality which is characteristic of that section. Some are semicircular, others square; a few are oblong, and some are three-cornered, fitting into two sides of the entrance, and in each case giving to the dwelling a congruous appearance that is refreshing to contemplate in an age like ours, when so many different periods are combined in a finished whole.
All these porches show a harmony of form and proportion that gives just the right effect, and many are embellished by wonderful wood carving. The Grecian column, in its many forms, lends itself in a great degree to artistic effects, often bestowing an originality of finish that is most pleasing, and one that differs in every respect from the modern broad veranda, and the stately porte-cochère.
The art of hand carving reached its highest state of perfection about the year 1811, during which period the best types of porches were erected. The results are shown not only in the capitals of the columns and on the architrave, but on the pediments and over the entrance door as well. A good example of the decoration of the architrave is seen on the old Assembly House on Federal Street, in Salem, Massachusetts, where the carving takes the form of a grapevine, with bunches of the hanging fruit, and also over the door of the Kimball house, in the same city, where Samuel McIntyre, one of the most noted wood carvers, lived.