These green arbors gave a distinct individuality to the old-time garden. Over them were carefully twined the Dutchman's pipe. It showed nestled away beneath its leaves, tiny, almost invisible little green pipes that were coveted by the little ones for "Let's pretend smoke." Invariably, the yellow and white Baltimore Belle rose sometimes known as the Seven Sisters, lent their charm, boldly peering out from under the vine to watch the lovers seated on the simple seats. They gave them a welcoming nod as they swayed to and fro in the passing breeze, mingling their blossoms, with a dainty Scotch rose and the pink moss, that seemingly grew on the same stem. It is the former rose that was the greatest favorite, for it lasted longer, giving dashes of yellow like sunshine to light the dark, autumnal days.
Now and again, we come unexpectedly upon a garden such as this. It lies in the heart of a Colonial city, hidden away from passers-by behind a high paling fence.
The twentieth century pergola in the modern garden lends itself to a great variety of treatment. It is an important feature and should be properly treated in order to bring out the right effect. Often the amateur, when dabbling with garden culture, neglects this feature on his grounds and gives it a wrong setting.
It must be remembered that the mere setting out of a garden does not always bring about the best results. It should be done with some definite aim in view, such as color or suitability to situation. In this way only can one obtain perfection. There should be taken into consideration the formation of the different beds, especially those that are in close proximity. It cannot be a successful experiment unless carefully planned.
If you have never tried to form combinations that will intensify the loveliness of the grounds by a happy gathering of right colors, you have missed a delightful experience. This idea does not come quickly to the amateur floriculturist, but once he fully grasps it, he turns as if by instinct to the structural part of the garden plan. It is then that he realizes that while he has not seemed to have progressed during his first year's work, yet he has laid a solid foundation that will stand him in good stead. In the midst of his garden he rears a house of flowers, placing it in a situation where he can watch the growth and maturing of the plants. Each corner of the garden is given separate treatment. In some gardens, where the space is small, it would be impossible to carry out the pergola scheme. Then it can be simplified and condensed into the child of the pergola, the arch, excellent for decorative effects. This means for flower showing can be made of wire, simply fastened to posts, bent into shape, or of wood and painted white; either of these methods is satisfactory and can, if properly used, be most successful.
The arch, to fit in with the garden plan, should span the entrance. Over it should be trained either a blossoming vine or many, to work out a succession of bloom. Sometimes it will be the wisteria with its drooping clusters of lavender, or the rambler rose found in such a variety of colors to-day. These two with the clematis, are especially adapted for this purpose, if one is willing to use proper fertilizer and depth of planting.
In order to insure better and more prolific growth, the vines should be cut back to about six or eight inches in height when first set out. It must be remembered in dealing with them that they are like little children, each one requiring individual care. We must also be sure that the soil is frequently stirred to avoid caking.
Properly placed, the curved trellis is a joy. It gives a decorative setting to the garden proper. As the eye travels down the path, it greets a charming bit of color in the bed of solid green that tops the roof.
The arch would not be a proper note of setting for every garden. There are only certain kinds with which it blends. The narrow path demands it, for it needs a break to show it at its best. A judicious fashioning of a series of arches, extending here and there along the entire depth of the walk is sometimes attractive. They serve to break the monotony and add a flower note that is delightful. In the planning of these, great care should be taken that they are set at proper intervals. They should be on the same level and correspond in width, otherwise the result would be a wavy line that is most distressing.