Each individual part of the flower garden has its own distinctive charm. It lies not solely with the flowers that bloom so profusely in the beds nor with the marble fragments, for the romance of it all is centered in the little summer house, as it was quaintly named by our ancestors in the long ago. In these little tea houses, built in a retired part of the garden, the mistress loved to spend a pleasant summer afternoon, seated inside knitting flower thoughts into a shapely bag or reading some delightful book, which dropped from her hand, as she sat dreamily watching the unfolding of some favorite flower.
Let us enter one of these gardens, rich in its summer garb, walk slowly down the path, stopping now and again to view some bud slowly unfold its petals one by one, disclosing a new specimen to be added to the ever-increasing number that are comprised in the floral scheme, and waving a welcome as it is tossed to and fro by every passing breeze.
Over there against the white paling fence stands the stiff hollyhock nodding his satiny head to greet the dainty heliotrope who glances coquettishly up to meet his eye. Nearby is a dialetrea or bleeding heart, the pet of the little ones, who pluck them to form tiny boats with snow white sails to float down the lily pond. Bursting into bloom behind the stiff box border is the old-time "piny," sending bits of color into the sober green.
None of the old Colonial gardens were considered complete without an ever varying assortment of bloom. There were the Sweet Williams, Bouncing Bet, and perky little Johnny-jump-up, sending greetings to his comrades nearby. Flowers are everywhere, they peer out at us from hidden corners, swing their heads in very ecstasy of enjoyment of their being.
Simplicity was the key-note in the construction of those summer houses that came into existence during the latter part of the seventeenth century. They stand for the first type of garden furniture made in our country, coming into vogue after the close of the grim struggle for existence made by our Puritan forbears. Then when the tide turned, and money flowed into the colonies, houseowners had more time to devote to garden culture. Behind the large Colonial houses sprang into existence gardens devoted to flowers, the owners doing the best they could with the material at hand. These delightful little plots secluded from the world outside by high paling fences were the homes of the old-fashioned flowers, many of them descendants of the originals, brought over in the ships that first touched our shores.
They were not like the twentieth-century ones constructed of marble or concrete clothed with vines and standing in a wealth of up-to-date blooms, showing slender marble columns and carved capitals supporting the marble roof.
Rather are they covered with plain, every-day vines, such as the Dutchman's Pipe with its heavy leaving, clambering roses and the Bitter Sweet or Roxbury Waxwork, whose drooping bunches of yellow and red poke their heads through the lattice work, making a bit of bright color all through the winter months. This when the ground is covered with snow livens up the surroundings. On either side are planted a wealth of timely flowers, these include the Sweet William, the Hooded Larkspur, and the many-colored Phlox.
Many of these little garden houses show such a variety of form that they are interesting, fitting into their surroundings as if they had always been there. Some are square, formed like a large box, depending for their picturesqueness on their coverings of vines. Others are round, and still again we find oblong summer houses, each one fitted up with seats and sometimes a rustic table.
Occasionally, we come upon a more pretentious one that is two stories in height. They were planned in the early nineteenth century, some of these are still standing and among them we find that of Elias Haskett Derby, designed by Samuel McIntyre, Salem's noted architect and wood-carver. For years it stood on the grounds of the summer home of Mr. Derby and to-day is so well preserved that it seems as if it had been recently built. Exquisite carving is a feature of this particular tea house, where rural images top the roof.
It is only in the gardens of the rich, that elaborate tea houses are found, simple designs grace the little gardens and are in harmony with their surroundings. The rustic summer house has its own mission to fulfill. Its cost can be determined by conditions. Some are finished in elaborately decorative designs while others show plain treatment.