A passing fad at one time was diminutive sundials, so small that they folded and could be used much as watches are to-day. They soon became very popular and attracted the attention of royalty, when Charles I was seated on the throne. His collection was the largest in existence and represented all sorts of odd shapes and forms. The Stuarts were all interested in sundials, and Charles II had a large one designed and placed in the garden at Holyrood.

While the first invented were crude, yet, as time went on, they became more popular, and different materials were used, such as wood, bronze and metal. The hour spaces were computed to comply with the locality in which they were placed. This required a great deal of thought and it was necessary to employ an expert workman.

Flowers and hedge plants were occasionally used to represent this idea. One of these stood between the "Shakespeare garden" and the "garden of friendship" at Lady Warwick's summer home. The gnomon being of yew while the dial was worked out by the use of box, the lettering was outside and spelled the following motto—"Les Heures Heureuses ne se comptent pas." This, as far as we know, was the first attempt at the use of floriculture in time pieces.

Sundials might be divided into two kinds, the perpendicular and the horizontal. Each one of these has its own special place, the former being used on buildings while the latter was for garden purposes solely. In New York, one of the old perpendicular dials may still be seen on the Dutch Reformed Church.

The horizontal was extremely popular in both England and Scotland, so much so that no garden of any pretention was considered complete without one or more of these ornamental time-keepers. The high favor in which the "simple altar-like structure," with its "silent heart language," was held in England was well expressed by Charles Lamb, who said of the sundial, "It stood as the Garden god of Christian gardens."

It is the revival of this old-time custom that has given a delightful touch of sentiment to the gardens of to-day, where sundials have become, more especially of late years, a permanent fixture. Many of these have interesting mottoes, some repeating the legends of other days, while later designs bear on their face a modern inscription.

"Let others tell of storm and showers,
I'll only count your sunny hours."
"Time goes you say—ah, no!
Time stays, we go."
"I mark the time, dost thou?"
"Tyme passeth and speaketh not,
Deth cometh and warneth not,
Amend to-day and slack not,
To-morrow thyself cannot."

By the time the American colonists had leisure to devote to the laying out of beautiful gardens, the day of the sundial was drawing to a close. The introduction of clocks had done away with the necessity of depending upon such fair-weather time pieces, and furthermore, they were no longer popular in other lands. So, despite its charm and value as an ornament, it was not widely adopted in this country. Of late years, however, in the general revival of old-time customs, this interesting feature for gardens has come into favor.

The making of one of these time pieces can be carried out by a village carpenter, but the purchasing of an old one had better be done by an expert as there are so many reproductions placed to-day on the market. All that is essential in order to work out proper results is that the dial should have a firm and absolutely level base to rest on, and that the gnomon should point directly towards the North Star, so that time may be accurately computed. A stone pedestal is correct, although concrete is often used.

The design depends largely upon the type of garden and the owner's taste. The beautiful, carved pedestals imported from Italy are suitable only for the formal garden, and for our simple, less pretentious ones, wood or stone can be used, although cement has become very fashionable. To soften the lines of a severely simple column, Ivy and other clinging vines can be placed around the base. The location is a matter that requires some thought, as the sundial's charm depends upon harmonious setting. It should be exposed to the sun continuously and placed far enough away from trees or buildings to preclude the possibility of its being shaded.