Garden Ornaments

by Mary Harrod Northend

Have you ever seated yourself in your garden, more especially on a warm summer day, and dreamily listened to the musical tinkle of the water that flowed from the mouth of the fountain, dripping down from the over-flowing basin into the pool below? It is then you realize what an attractive ornament it is for your garden for it appeals not only to the eye but to the ear. Lowell picturesquely describes his idea of this bit of garden furnishing when he speaks of it as "leaping and flashing," in the sunlight.

While the pergola, the garden seat and the sundial each have their own appropriate use, they serve one purpose only. Not so the fountain, which never fails to convey a delightful impression of coolness, as it gurgles and murmurs, on its way. Surely there is nothing that gives to the garden a more picturesque charm than this, standing like a spot of color in a vivid setting of bright flowering plants. In the pool below one finds constantly changing pictures of the blue sky, snowy clouds or summer blossoms, each one worthy of its floral frame.

As the garden fountain is merely an accessory and the beauty of the constantly dripping water and the rising of the spray are what constitutes its real charm, the conventional design can be simple or elaborate but it should follow the garden scheme. It depends upon its environment as to whether we make it the central feature in the design or a setting in the wall. Lovely effects can easily be produced if one is careful in trying to work out a right treatment, for the placing is fully as much of importance as the planting. Balance should be the main object.

To the amateur who has had no special training in floriculture, the introduction of even a simple water spout is of interest. He watches its workings with a newly awakened enthusiasm, directing its course so that it falls artistically over the different levels of the rock garden into the home-made concrete pool below. The introduction of this water feature gives a distinctive touch to even the simplest little flower plot. For a larger garden, what is more alluring than a fountain sending forth a high, vapory stream, bursting into a cloud of filmy spray? This is especially true when it is viewed through a vista or at the ending of a vine-shaded pergola. Around it should be planted a carefully selected combination of flowers or shrubs, great care being taken that they blend harmoniously.

The size of the fountain and the breadth of the pool lend themselves more or less effectively to producing alternating sunshine and shade on the surface of the water. The basin is, in a way, of as much importance as the fountain design. It is generally round, although occasionally an oblong design fits better into the landscape effect. It should be from two to three feet deep and so constructed that the sides slope outward much like the ordinary wooden water bucket. There is a practical reason for this, as it prevents cracking during the winter months. The cost naturally varies, the size materially affecting the price.

The background demands more than passing notice. Nearness of trees is a decided drawback, as the falling leaves, especially in the autumn, mar the surface and clog the outlet and make it necessary to clean the basin frequently.

The best time to plan for any garden ornament is just before the early fall. The flowers are in their prime and one can better determine placing than in the early spring when the garden lies bleak and desolate.

Many garden lovers with a desire for originality feel confident that they can rely upon their imagination to work out color schemes even during the winter months. Fortunate is he who accomplishes this satisfactorily. There is great danger, however, that his castles in the air may fall to the ground through taking too much for granted. The grounds do not always meet requirements, and the result is not only wrong placing but an ornament that is either too large or too small for its allotted space.

We are far too impatient to obtain results and it is this undue haste that often ruins the composition of gardens. There is a great satisfaction in adding to and improving our grounds, much more so than if the whole work were developed at once. Almost every garden into which careful thought has been placed grows with its years. Few, if any garden lovers, but have felt a keen sense of disappointment at the finished results of their garden schemes. What was satisfying the first year, has later brought about unhappy combinations. It is this fact that should be impressed on everyone's mind, if they wish a perfect lay-out.