Historic Homes of New England - Mary Harrod Northend

With the determination to note this evolution in household furnishing, the visitor continues on his tour of the house. He leaves the kitchen by a dark, narrow passage. A door at its end admits him to a large, sunny, low-ceiled room, which has always been used as a combination dining and sitting-room. The Turners called this room "the hall," a term the early settlers brought with them from England. The Ingersolls called it "the keeping room." To the settlement residents to-day, it is simply the dining-room. It is certainly most attractive with its rare, old, white painted panelling and old-fashioned furniture. The sideboard, dining-table, and secretary are fine old pieces of mahogany. The chairs are of the Windsor pattern. On the wall are pictures of clipper ships and foreign ports and one portrait of a rather grim old gentleman. Under the portrait is the dinner-wagon and a red lacquer tray, once the property of Miss Ingersoll.

In the novel this room is called "the parlor of more moderate size" in contrast to the grand reception room. And here, more than anywhere else, the scene of the story is laid. For this was the room where Colonel Pyncheon was discovered dead by his little grandson, and here after many years that grandson received Matthew Maule the carpenter and sent for his daughter Alice to join them. And this was the room that Miss Hepzibah Pyncheon used as the living-room, and where she and her brother Clifford and her little cousin Phœbe ate their meals under their ancestor's frowning portrait. Here it was that Judge Pyncheon came and bullied Hepzibah and sent her to find her brother. The story tells how poor Hepzibah, sadly against her will, goes over the house looking for Clifford. But she does not find him in his room, and when she hurries back to the living-room, Clifford himself comes out of it and points to the judge, who is sitting dead in his chair. Hawthorne does not explain in the novel how Clifford left his room and got down to the living-room, but the house itself offers an explanation.

Beside the fireplace in the living-room is a round-topped door opening into a brick-lined closet. Entering the closet the guide opens a secret door, revealing a mysterious staircase by which the visitor mounts apparently right into the heart of the huge central chimney. The staircase is very steep and narrow and makes many a turn. Finally, the door at the top opens, and the visitor steps out into Clifford's room. The door closes with a snap behind him. The visitor looks round but sees only the pine sheathing with the pattern peculiar to the House of the Seven Gables.

In response to the question: "Why was the secret staircase built?" the guide confesses that no one knows. There have been many surmises. Some have thought it was a refuge from the Indians. Others have fancied it was for purposes of smuggling. The most probable explanation seems to be that it was a temporary hiding-place in case of a recurrence of the witchcraft delusion. About 1889 Mr. Upton began to take down the great central chimney and then discovered the secret staircase, which was rebuilt in 1909 from his description. It looks so old that the visitor can hardly believe that it is only a very exact reproduction of the original.

Clifford's room is only a small attic chamber with a mahogany bed and bureau and an attractive set of painted chairs, which belonged in the House of the Seven Gables but were given away at the time the house was sold for Horace Ingersoll's debts. All the furniture was scattered at that time, but since then many pieces have found their way back, either by gift or purchase.

The visitor leaves Clifford's room and makes his way into the open attic, for he came up two stories by the secret staircase and is now under the sharply pointed roof and surrounded by trunks, chests, and bandboxes. This is a good place to understand the structure of the house. The main building had at first just two gables in front and one at each end; then a wing was built on in front, covering one of the gables, which was largely cut away. This wing had three gables, and the porch, which was built in the angle of the wing and the main house, was roofed by another gable. An old plan of the house shows a wing built on to the lean-to in the rear, which was probably roofed by another gable; so the house in the time of the first two John Turners probably had eight gables. It seems likely that the third John Turner took off the porch gable, which must certainly have been very troublesome, as its position made it a pocket for the ice and snow. If we omit the porch gable, assuming that it was gone long before the Ingersolls bought the house, we find that the rest correspond very closely to Hawthorne's description of them as they are mentioned in different parts of the novel.

The stump of the cut-off gable is a great object of interest in the attic, as is also a piece of the old front door, which is studded with nails after the fashion of the early colonial days.