The dwarf's scream was like the weird high note of a wind-harp. It had its effect on Zélie. She turned back, though muttering against the overruling of her lady's commands by a creature like a bat, who could probably send other powers than a decent maid to bring claviers.
"And where shall I find it?" she inquired aloud. "Here have I been in the fortress scarce half an hour, after all but shipwreck, and I must search out the belongings of people who do naught but idle."
"Find it where you will. No one hath the key but myself. The box may stand in Madame Marie's apartment, or it may be in my own chamber. Such matters are blown out of my head by the wind along the coast. Make haste to fetch it so I can play when Madame Marie appears."
Le Rossignol drew herself up the back of the settle, and perched at ease on the angle farthest from the fire. She beat her heels lightly against her throne, and hummed, with her face turned from the listless girl, who watched all her antics.
Zélie brought the instrument case, unlocked it, and handed up a crook-necked mandolin and its small ivory plectrum to her tyrant. At once the hall was full of tinkling melody. The dwarf's threadlike fingers ran along the neck of the mandolin, and as she made the ivory disk quiver among its strings her head swayed in rapturous singing.
Zélie forgot the baby. The garments intended for its use were spread upon the settle near the fire. She folded her arms, and wagged her head with Le Rossignol's. But while the dwarf kept an eye on the stairway, watching like a lover for the appearance of Madame La Tour, the outer door again clanked, and Klussman stepped into the hall. His big presence had instant effect on Le Rossignol. Her music tinkled louder and faster. The playing sprite, sitting half on air, gamboled and made droll faces to catch his eye. Her vanity and self-satisfaction, her pliant gesture and skillful wild music, made her appear some soulless little being from the woods who mocked at man's tense sternness.
Klussman took little notice of any one in the hall, but waited by the closed door so relentless a sentinel that Zélie was reminded of her duty. She made haste to bring perfumed water in a basin, and turned the linen on the settle. She then took the child from its mother's limp hands, and exclaimed and muttered under her breath as she turned it on her knees.
"What hast thou done to it since my lady left thee?" inquired Zélie sharply. But she got no answer from the girl.
Unrewarded for her minstrelsy by a single look from the Swiss, Le Rossignol quit playing, and made a fist of the curved instrument to shake at him, and let herself down the back of the settle. She sat on the mandolin box in shadow, vaguely sulking, until Madame La Tour, fresh from her swift attiring, stood at the top of the stairway. That instant the half-hid mandolin burst into quavering melodies.
"Thou art back again, Nightingale?" called the lady, descending.